iA comparison between Aristotle and Plato on mimesis 1. Introduction Mimesis‚ as a controversial concept starting from the 15th century‚ is among the oldest terms in literature and artistic theory‚ and is certainly among the most fundamental. Developing centuries‚ the concept of mimesis has been explored and reinterpreted by scholars in various academic fields. The word “Mimesis” developed from the root mimos‚ noun designating both a person who imitates and a specific genre of performance based
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An American Tragedy: How a Good Company Died The Rust Belt is back. So say bullish observers as U.S. exports surge‚ long-moribund industries glow with newfound profits‚ and unemployment dips to lows not seen in a decade. But in the smokestack citadels‚ there’s disquiet. Too many machine-tool and auto parts factories are silent; too many U.S. industries still can’t hold their own. What went wrong since the heyday of the 1960s? That’s the issue Max Holland‚ a contributing editor of The Nation‚
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TRAGEDY Q. PLOT Vs CHARACTER In Tragedy In his immortal creation Poetics Aristotle mentions six formative elements of tragedy --- ‘Plot’‚ ‘Character’‚ ‘Thought’‚ ‘Diction’‚ ‘Spectacle’ and ‘Song’. And among them ‘plot’ gets the prior attention and importance. Aristotle claims ‘plot’ to be the soul of tragedy. In his view character as secondary to the plot. He in his book Poetics opines “Plot is the fundamental thing‚ the soul of
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According to the omnipotent view‚ managers are directly responsible for an organization’s success or failure. The symbolic view argues that much of an organization’s success or failure is due to external forces outside managers’ control. The two constraints on manager’s discretion are the organization’s culture (internal) and the environment (external). Managers aren’t totally constrained by these two factors since they can and do influence their culture and environment. s the characteristics and
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Investigating The Causal Natures of Chance and Spontaneity. After introducing the principle causes (efficient‚ formal‚ material‚ final)‚ Aristotle talks about chance and spontaneity in Book II‚ (Physics) for the purpose of investigating their place among the said causes. Aristotle bases his enquiry on the observation that in history‚ these terms are conflictive in their interpretation. Some people say that everything that we consider luck or spontaneity really has some underlying definite cause
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Noemi Faith A. Reyes OC199 2008-30806 Prof. Villar ONTOLOGY | EPISTEMOLOGY | METHODOLOGY | TELEOLOGY | -“…is from the Greek and means the study of the ontos or of the one‚ the universe. It is the study of those universal concepts which apply to everything‚ as well as those specific concepts which apply to the most substantial dimensions of Being (Fox‚1999‚ p.1).”-“…comes from the Greek Ontologia and means “talking” (-logia) about being (on/onto). It is a philosophical
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Aristotle’s theory of the Tragic Hero: “A man doesn’t become a hero until he can see the root of his own downfall” Tragic hero’s who fit under Aristotle’s depiction are known as ‘Aristotelian Tragic Hero’s’ and possess five specific characteristics; 1) A flaw or error of judgment (also known as ‘hamartia’ which is a fatal flaw leading to the downfall of a tragic hero or heroine) 2) A reversal of fortune due to the error of judgment (also known as ‘peripeteia’‚ which is a sudden reversal of fortune
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as “A Tragedy of Character” “Tragedy of Othello/ The Moor of Venice” is a typical of classical tragedy and is regarded as the greatest work of William Shakespeare by many critics. While writing his play in 1604‚ Shakespeare adapted the story from Italian author Cynthio’s novella called Hecatammithi which was written in 1565. In order to bring a comment on play’s being “a tragedy of character” it’s necessary to emphasize on these points: general characteristics of classical tragedy‚ “Tragedy of Othello”
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Aristotle’s definition of tragedy Aristotle It’s not all about beauty‚ art and nature Accounts for tragedy as a scientific phenomena “Everything unfolding on the stage should have a specific psychological effect on the audience” Literary theory: a theorist accounting for a complex piece of literature‚ labeling parts explaining notably what does happen in the literature but what should happen in the literature. Tragic hero: function of literature Characteristics of a tragic hero Shakespeare
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Mini Proposal Faculty of Education University of Malaya Topic of Research: Development and Evaluation of Humanism Elements in teaching and learning ‘Periodic Table of Elements’ among Form 4 students Prepared by: LIM PEI LEE (PGJ 110010) Post Graduate for Master in Education (Science Education) Semester 2‚ Session 2011/2012‚ Education Faculty‚ University of Malaya. Table of Contents |No. |Contents
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