"Eleven by sandra cisneros" Essays and Research Papers

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    Have you ever struggled on standing up for yourself? Sometimes people don’t have the courage to stand up for themselves when challenged with problems. In the story “ Eleven” by Sandra Cisneros‚ the main character‚ Rachel‚ is faced with many challenges that she doesn’t face at school and challenges that she doesn’t face with her fellow classmates. For example‚ Rachel loses herself when challenged by her teacher‚ Mrs. Price. So there was an ugly old sweater that had been sitting in the locker room

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    Sandra Cisneros

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    Sandra Cisneros‚ an award winning novelist base all of her short stories on the two cultures which she has grown up in and now call her heritage‚ American and Mexican. The merge of these two cultures play a significant role in the plot and setting of her stories. My Lucy friend who smells like corn‚ Eleven‚ Mexican Movies‚ Barbie Q and Mericans are just of few of Sandra stories in which she merges both the American and Mexican culture. In “My Lucy friend who smells like cheese‚” Cisneros describe

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    people get a chance to honor themselves around people they love and look forward to another great year. Sandra Cisneros‚ the author of the st ory‚ Eleven‚ portrays herself as Rachel‚ an eleven year old girl who wishes to be one hundred and two years old. Rachel dislikes the red sweater described numerous times within the story. The red sweater creates major conflict between Mrs. Price and Rachel. Cisneros characterizes Rachel’s feelings about her eleventh birthday using rhetorical devices such as a simile

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    Sandra Cisneros

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    Japanese-American Dwight Okita and Mexican-American Sandra Cisneros were both greatly influenced by US culture. Okita’s "Response to Executive Order 9066" and Cisneros’s "Mericans" establish topics of American identity and family relationships. Both Okita’s poem and Cisneros’s short story share themes that American identity comes from merging cultures and supporting one another is important in family relationships. In "Mericans" by author Sandra Cisneros‚ the first sign of American Identity in the short

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    Norma E. Davis English 2293 Steven G. Kellman December 6‚ 2011 El Titulo‚ The Title: Translation in Sandra Cisneros’s Caramelo According to Bill Johnson Gonzales Through His Article “The Politics of Translation in Sandra Cisneros’s Caramelo: Translation‚ Defamiliarization‚ Ethics” Prologue: Memories‚ Recuerditos de la Guerita Normita‚ Como me Decían en Mexico A Reaction to Caramelo: Memories Repressed and Reborn Though I am aware that this is not a creative writing assignment‚ I cannot help but

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    different ways. In the following coming of age stories the authors display the confusion of advancing to the next stages of life through exercising symbolism in their writing. In the story Eleven‚ by Sandra Cisneros‚ she uses the symbolism of objects and situations to portray the confusion of growing up. Sandra starts off the story

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    Jacob Ledford Professor Vasconcelos Hammock English 1102M 21 January 2012 Sandra Cisneros Sandra Cisneros was born the daughter of a Mexican-American mother and a Mexican immigrant father. She grew up as the only daughter of a family of 7 children. The family frequently moved back and forth between Chicago and Mexico and she never had much time to settle anywhere. Cisneros graduated from Loyola University in 1976 with a bachelor’s degree in English and eventually went on to obtain her master’s

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    Sandra Cisneros

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    different by our parents? Why are we the only daughter put on a completely different pedestal than our own brothers? Shouldn’t we be equal and treated the same? Ms. Cisneros then discovered after hardship of her father during the years trying to prove that the college career for her was best for her future. The feeling that Ms. Cisneros had when her father muted the television to read her story ‚ and was so into what he was reading and asking questions that was the same feeling that I had the day it

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    Only Daughter Sandra Cisneros from Latina: Women’s Voices From the Borderlands. Edited by Lillian Castillo-Speed. New York: Touchstone/Simon & Schuster‚ 1995. Once‚ several years ago‚ when I was just starting out my writing career‚ I was asked to write my own contributor’s note for an anthology1 I was part of. I wrote: “I am the only daughter in a family of six sons. That explains everything.” Well‚ I’ve thought about that ever since‚ and yes‚ it explains a lot to me‚ but for the reader’s

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    Eleven” Analysis Poet Maya Angelo aptly stated‚ “I am convinced that most people do not grow up... We carry accumulation of years in our bodies‚ and on our faces‚ but generally our real selves‚ the children inside‚ are innocent and shy as magnolias.” Similarly‚ Sandra Cisneros’s “Eleven” illuminates the enigmatic journey of growing up through the sagacious eyes of an eleven year old child. As the speaker of this work asserts‚ the aging process does not eradicate a person’s previous self. Instead

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