‘[In Elliot] the disembodied ‘I’ glides in and out of stolen texts.’ (Maud Ellmann) How does Eliot use intertextuality to ask questions about identity‚ authenticity and authority The question of Identity‚ authenticity and authority transcend throughout T. S. Eliot’s poetry. A master of modernist poetry‚ Eliot manages to highlight the dramatic changes of culture and society in the early 20th century through employing crippling imagery and an astounding catalogue of intertextual links‚ questioning
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In the era preceding‚ during‚ and after World War Two‚ documentaries and real-life depictions about the war‚ veterans‚ patriotism‚ post-war trauma...etc.‚ exploded on the home front. John Huston’s "Let There Be Light" and Frank Capra’s "Prelude To War" are both documentary films about World War Two‚ however filmed for very divergent purposes and in very different angles. This paper will attempt to explore and compare the differences of both wartime documentaries‚ and evaluate the effectiveness of
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I have chosen to explore paragraphs 8‚ 9 and 11 to interpret what Wordsworth might have meant by this quote. The use of ’fostered’ creates the impression of a parent or guardian‚ and with such a high regard for nature I wonder whether this quote is aimed at her and her so called actions that only Wordsworth seems to feel and encounter. Episode 8 begins with the lines; he seems at one with where he used to live in ’that beloved Vale’ and the cold language Wordsworth includes such as ’frost’‚ ’the
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The Great Gatsby & Enduring Love ‘Obsessive love has the capacity to drive a person to insanity‚ leading to irrational behaviour‚ alienation and despair’ Compare and contrast the ways McEwan and Fitzgerald present the complexities of human love in light of this comment. F. Scott Fitzgerald and Ian McEwanpresent obsessive Idealised love as deranged and harmful.Fitzgerald’s ‘The Great Gatsby’‚ published in 1925‚epitomises the euphoric atmosphere which permeated consumerist attitudes after
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own dark mind’ (Lord Byron). Examine representations of morbidity and/or alienation in at least TWO texts written or published in this period. In this essay I intend to use‚ where appropriate‚ three definitions of alienation taken from the OED: social alienation- ‘the action of estranging‚ or a state of estrangement or affection’ functional alienation- ‘Diversion of anything to a different purpose ’ and mental alienation- ‘the withdrawal‚ loss or derangement of mental facilities; insanity’
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Q. Explain how T.S Eliot’s poems “Rhapsody on a Windy Night” and “Preludes” express modernist concerns Modernist concerns are expressed through T.S Eliot’s poems ‘Rhapsody on a Windy Night’ and ‘Preludes’. Eliot uses his fragmented childhood experiences and his thoughts on the squalor modern life to express the issues of meaningless life‚ isolation‚ the alienation and loneliness that the humans feel and lastly the damaged psyche of humanity. The issues of meaningless life is expressed through complex
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individual’s inability to maintain mental stability. Though written in different periods of T.S. Eliot’s life the poems ’The Love Song of J Alfred Prufrock’‚ ’Portrait of a Lady’ and ’Preludes’ uses a variety of poetic devices to portray these thematic concerns. Through the portrayal of his numerous protagonists Eliot explores the effects of exclusion and its tendency for the individual to feel self pity. In the poem‚ The Love Song of J Alfred Prufrock‚ Eliot’s use of personification in the lines
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“The importance of Modernism was in its ability to unite the masses by illuminating common feelings of disillusionment and rebellion through artistic forms.” Argue with reference to two poems of T.S Eliot and one additional text of you choosing. Rebellion and Disillusionment were fundamental feelings expressed by Western society in the late 19th and early 20th centuries. They came about as a result of a myriad of factors including; industrialisation‚ urbanisation‚ technological advances‚ militaristic
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‚ T.S. Eliot appeared on the scene of 20th century English poetry as a wonderful innovator with these lines of his The Love-song of J. Alfred Prufrock on the pages of the Poetry magazine in 1915: “Let us go‚ then‚ you and I When the evening is spread out against the sky Like a patient etherized upon a table". These lines immediately revolutionized the intellectual climate of English poetry. Eliot initiated a new brand of poetry of the city‚ poetry essentially cerebral‚ impersonal‚ predominantly
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This familiarity with the city is developed further in ‘Preludes’. In the third stanza Eliot writes that the sordid images of the night that are revealed constituted the soul. These images that the night reveal would be shadows caused by the world outside‚ and the use of the word “sordid” makes the reader recall Eliot’s earlier
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