describe‚ how song of j. Alfred prufrock could be a modernist poem? As with many other works of the Modern period in English literature‚ T. S. Eliot utilizes fragmentation‚ allusion‚ and symbolism to show J. Alfred Prufrock’s inability to act towards the outside world. Prufrock appears‚ in the poem‚ to be a middle-aged balding man who has a very pressing question to ask someone (presumably a woman); however‚ he finds it hard to vocalize his feelings to other people. Instead‚ he spends his time dwelling
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Throughout the entire work of literature‚ the poem’s speaker always reflects back to time‚ and how they have lived their life as they grow older. With this poem‚ Eliot was able to express his beliefs on love‚ religion‚ time (and lackthereof)‚ and how they apply to life. It is obvious that‚ with a title like “The Love Song of Alfred J.
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Stability versus Change and Metamorphosis in T.S. Eliot ’s The Waste Land. When one reads The Waste Land for the first time‚ it may be difficult to extract some clear meanings out of the poem. The common reader is used to expect some uniformity and wholeness‚ some kind of unity or continuity in one or various aspects in any piece of writing he or she comes across. Therefore‚ when one has to face a poem like this one‚ the sensation of puzzlement‚ confusion and powerlessness is unavoidable. Even
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T. S. Eliot uses irony and symbolism to capture the reader’s attention in The Love Song of J. Alfred Prufrock. The poem has a dramatic discourse. The percipience of life’s emptiness is the main theme of the poem. Eliot exhorts the spiritual decomposition by exploring a type of life in death. T. S. Eliot‚ who in the Clark Lectures notes‚ "Real Irony is an expression of suffering"(Lobb‚ 53)‚ uses irony and symbolism throughout the poem to exemplify the suffering of J. Alfred Prufrock who believes
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Dr. Richard Clarke LITS3001 Notes 09B 1 T. S. ELIOT “HAMLET AND HIS PROBLEMS” (1919) Eliot offers‚ as we have seen‚ what has come to be called an ‘impersonal theory of poetic creation.’ Eliot would not have denied either that poets have feelings or that poetry inspires certain feelings in the reader. He offers‚ rather‚ an account‚ centered around his notion of the objective correlative‚ of how such feelings enter the poem in the first place that differs significantly from the expressive model
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Farmer ENG 200 28 April 2016 The Quest and Prufrock The Holy Grail is the central device in Chrétien de Troyes’ Perceval‚ the Story of the Grail. T.S. Eliot takes this medieval romance and modernizes aspects of it in his poem‚ “The Love Song of J. Alfred Prufrock”. The poem exhibits the features of a grail quest‚ albeit in an inverted form. Eliot uses Prufrock as a kind of Perceval; Prufrock is a character in search of a grail of sorts‚ but Prufrock’s grail takes the form of a woman. However‚ unlike
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T.S. Eliot was and remains renowned for his disheartening poetry and bleak outlook on life. His modernistic poems were centred on ideas of despair‚ futility‚ decay and general disappointment of what life has provided. It can be argued‚ however‚ that his poetry evolves into a more hopeful form of expression after he became a Christian. Of his renowned poems‚ ‘The Love Song of J. Alfred Prufrock’ and ‘East Coker’ are two comparable pieces that‚ together‚ provide insight to Eliot’s life‚ values and
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Victoria Louis Perspective Through the Eyes of George Eliot What separates The Mill on the Floss from other novels of the Victorian era is its unique narrative style. The narrator gives readers a detailed insight into all of the characters and tells us their thoughts and feelings. However‚ the narrator sometimes switches over into the first person‚ using "I" and directly addressing the reader as "you." These breaks between the third person and the first person voice not only make for an interesting
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T.S. Eliot’s Poetical Devices T.S. Eliot was one of the great early 20th Century poets. He wrote many poems throughout his career including "The Waste Land"(1922)‚ "The Love Song of J. Alfred Prufrock"(1917)‚ and "Ash Wednesday"(1930). Throughout his poems‚ he uses the same poetic devices to express emotion and give an added depth to his poetry and act like a trademark in his works. One of the devices used throughout is his personification of nature. The second device he often uses is allusions
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one is endowed with a depthless wealth of literary knowledge‚ Eliot’s cornucopia of allusions and overzealous use of juxtaposition may leave them in a state of utter confusion. Luckily‚ there is hope for the wearied reader. At the close of his poem‚ Eliot presents his readers with a small offering: “These fragments I have shored against my ruins”. This line‚ presented in the midst of seemingly nonsensical fragments‚ serves as a clue to Eliot’s intentions. Indeed‚ it is my belief that this line is the
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