Adam Kirsch has written that some of Plath’s works‚ like "Daddy"‚ are self-mythologizing and suggests that readers should not interpret the poem as a strictly "confessional"‚ autobiographical poem about her actual father. Sylvia Plath herself also did not describe the poem in autobiographical terms. When she introduced the poem for a BBC radio reading shortly before her suicide‚ she described the piece in the third person‚ stating that the poem was about "a girl with an Electra complex [whose] father
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begins Sylvia Plath‚ before she pivots and reveals her true feelings with the first line: “But I would rather be horizontal” (1). In her March 1961 poem “I am Vertical‚” Sylvia Plath sets up her own coordinate plane consisting of the vertical axis and the horizontal axis. The vertical axis stands for all things human‚ and in the eyes of Plath‚ the plight of her own humanity. The horizontal axis represents the plane of the natural world‚ and later‚ comes with the darker implication of death. Plath finds
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hatred‚ some poets have managed to put pen to paper and come up with beautiful poems that effectively recreate the feeling of hatred in all their readers. Sylvia Plath did not live a happy life. She mentions in her poem “Daddy” that she was ten years old when they buried her father and “at twenty I tried to die/ And get back‚ back‚ back to you” [Plath 954 lines 58-59]. She lived most of her adult life dealing with depression‚ and it’s evident from the poem that she blames it all on her father.
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Sylvia Plath uses metaphors‚ and other literary devices to leave the reader with a feeling of anguish. The use of metaphors are often utilized throughout the poem‚ in order to compare her father to the most awful things a person could imagine. Throughout the poem she paints an image of her father as a Nazi‚ and herself as a Jew. She attempts to show the intimidation her father creates. The speaker says “Panzer-man‚ panzer-man‚ O you (45). “Panzer-man” is a German phrase referring to tank drivers
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Adida 1ere ES.1 Lucie Review of Criticism: “Mirror” of Sylvia Plath. Freedman‚ William. “ The Monster in Plath’s ‘Mirror‚’ “ in Papers on Language and literature‚ Vol 29‚ No. 2 Spring‚ 1993 pp.152-66. William Freedman describes “Mirror” as a search for the self‚ to discover one self in the person of the mirror. The fish that appears in the mirror is the dark
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The poem “Mirror” by Sylvia Plath is told from the point of view of a mirror hanging up on a wall. This mirror has‚ over time‚ been privy to the tears of a woman over who she sees in it‚ desperate grasps at moonlit lies‚ and the endless speculations of a pink with speckles wall. “Mirror” is a poem that probes into the corners of human nature‚ beauty‚ life‚ and death‚ reflecting back their truths to readers as good mirrors do. In this poem‚ readers can see the truth about themselves reflected among
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Sylvia Plath boldly set the bar for confessional poetry in the 1950s. Using nature as a theme in many of her poems‚ Plath externalised her internal demons in a unique way. The narrative voice in her “nature” poems illustrates Plath’s complicated relationship with the natural world. The reader can relate to this‚ and draw their own conclusion on humanity both in and out of nature. As time goes on‚ and Plath’s sanity becomes even more fragile‚ the narrator’s relationship with nature becomes more intimate
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Metaphors by Sylvia Plath Sylvia Plath is well known for her confessional style of writing. Her poem ‘Metaphors’ was written in the 1960’s and expresses her self-loathing during pregnancy. Unlike many poets‚ Plath isn’t afraid to express her inner feelings throughout her work and explore herself within her poetry. In her poem ‘Metaphors’ Plath uses the ‘I’ voice to make her writing deeply personal and convey her pessimistic attitude towards her body image during pregnancy. ‘Metaphors’ is written
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Sylvia Plath Plath’s poetry depicts her quest for poetic inspiration and vision: In her early poems‚ like ‘Black Rook’‚ Plath sees inspiration as transcendent‚ something that would announce itself to her from the external world. Plath’s language implies that she awaits a visitation of beauty‚ like the Annunciation by the angel in the Bible. Plath longs for an occasional ‘portent’ or ‘back talk from the mute sky’. She doesn’t believe in religious epiphany; but she uses Christian language as an
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This poem by Sylvia Plath was written in 1959 and gave name to her first collection of poems The Colossus and Other Poems in which it is already included. This collection was published in 1960 and since this moment she was recognized as a young new talent because of her poetry techniques. Regarding some biographical data‚ we should take into account that Otto Plath‚ that is Sylvia’s father‚ died after a long period of untreated diabetes when she had just eight years old. Facing the death of someone
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