PRINCIPLES OF DESIGN Unity and Variety ( Balance ( Emphasis and Subordination Scale and Proportion ( Rhythm and Repetition Directional Forces ( Contrast PRINCIPLES OF DESIGN 1. UNITY AND VARIETY ← Unity is a sense of oneness‚ of things belonging together. Also called harmony‚ it is concerned with combining similar elements to create a pleasing appearance. ← Variety is concerned with combining art elements by adding slight changes to increase visual interest. 2.
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movement or emphasis; to develop pattern and texture‚ and also to shade and model using techniques such as hatching‚ cross-hatching and stippling. To further define a line‚ there is more than one type. There are an actual line which is a visible mark made by a type of medium‚ there is psychic line where there is no real line yet one of is felt‚ another type can
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describing a work of art. 1.The principles of design are unity and variety‚ balance‚ emphasis and subordination‚ directional forces‚ contrast‚ repetition and rhythm‚ and scale and proportion. 2. Unity-is the appearance or condition of oneness. Variety-provides diversity and acts to counter unity. Balance-is the achievement of equilibrium‚ in which acting influences are held in check by opposing forces. Emphasis -is used to draw our attention to an area or areas. Subordination-an artist creates
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COPY DECISIONS Layout is the logical arrangement of components of an advertisement in the copy. It refers to the overall structure‚ the position assigned to the various elements of the copy and illustrations. It is deciding on the placement of headlines‚ copy‚ illustrations‚ marketer’s name‚ logo and the amount of free space in an advertisement copy. Thus‚ the physical arrangement of all the elements of advertisement is called layout. It is concerned with placing all the elements of the advertisement
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challenging to explain. An attractive painting grabs your attention from a distance and a weak composition takes away any visual engaging with it. With the perfect arrangement of the elements of the composition‚ unity‚ variety‚ emphasis‚ focal point‚ balance‚ rhythm‚ and scale and proportion‚ the work of art is going to have the eye
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Color Color is the hue‚ value‚ and intensity that defines parts and sets off one area of design from another. Hue is the name of the color (red‚ blue). Value is how light or dark the color is (light blue‚ navy blue). Intensity is how bright or dull it is (4-H green‚ neon green). Note for the Project Helper Not all exhibits in the clothing project area will require identification of elements and principles. If a garment or accessory has been designed and/or constructed to enhance personal appearance
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Gian Carlo V. Garcellano BSCE-2A What is a paragraph? A paragraph is a group of sentences that are all about one specific idea. It should begin with a topic sentence‚ that is‚ a sentence which addresses the subject of the paragraph. The other sentences in the paragraph should supply information that helps to explain the topic. How long should a paragraph be? There is no set length for a paragraph‚ but‚ generally‚ three full sentences
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1.) What is a paragraph? Etymology: From the greek word paragraphos which means‚ line used to mark change of persons in a dialogue‚ from paragraphein to write alongside‚ from para- + graphein to write. * A Paragraph is a distinct section of a piece of writing‚ usually dealing with a single theme and indicated by a new line‚ indentation‚ or numbering. * A collection of related sentences dealing with one topic. 2.) What is overloaded paragraphing? * Overloaded paragraphing
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Formal Analysis I’ve decided to do my formal analysis on an original painting done by Slava Ilyayev titled‚ “Passage to Spring”. I ran across this beautiful work of art at Fascination St. Fine Art north of Cherry Creek in Denver. UNITY: As you take a look at this piece‚ you can notice unity right away. The artist uses color‚ texture‚ and line to interweave this beautiful work of art together. Bright‚ analogous warm colors are unified throughout the piece including the reflection on the pathway
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the perfect human body as you analyze briefly three key sculptural examples from the Hellenistic Age of ancient Greece. Relate to what extent these key sculptures may help to define the idealistic meaning of ‘perfect balance of beauty‚ harmony and proportion’ to fine artists for this century. Ancient Greeks were not only superb with philosophy and mathematics but also they were extremely influential in terms of their body sculptures. They believed in theirs gods and goddess taking human forms and
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