This is to recommend continued sponsorship of the Posse ride. In order to maximize the effectiveness and profit-making potential‚ I propose the following changes in this program 1) Repeating successful routes. 2) Involvement of HOG members in route selection. 3) Follow up with Posse participants 30 days after the completion of events. 4) Creating spontaneity during the ride. 5) Increased participation of employees on the rides. These new initiatives would help us better understand customer
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It was a warm autumn day‚ perfect for learning how to ride my new two-wheeler. I was so excited to learn how to ride a two-wheeler that I could hardly sleep the night before. All the colors in the tiny grassy yard of my family’s petite‚ powder blue house were breathtaking this time of year. My heart beating so quickly‚ it could have beat right out of me. I waited patiently on my tire swing for my mom to come outside. My new sky blue two-wheeler covered all over with the characters from My Little
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The streets were empty‚ surrounded by silence. Darkness was my only companion‚ apart from my dad. I was looking ahead towards the long road in front of me. And a sudden surge of emotions ran throughout my body. I was excited‚ yet I felt unsure. I felt unprepared. But‚ nevertheless‚ I wanted to get it over with. After a long debate with my dad‚ he finally agreed to let me drive to Ateneo but with the condition that we had to leave the house at five in the morning. I did not think he would have
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1) Your recommendation to the Harley Davidson Management Team: Should Harley Davidson continue to sponsor the Posse Ride? Why or why not? What role should the Posse Ride play in the HOG events mix? HD should continue its popular posse ride because of the following reasons HD being a high involvement product‚ keeping the customers involved even after the sales. It fosters the feeling of brand community which leads to consumer’s personal identification with the brand Gives a deeper insight of the
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the natural speech of drama the purest language of plays." Once‚ quoted as having said this‚ Tennessee Williams has certainly used symbolism and colour extremely effectively in his play‚ A Streetcar Named Desire’. A moving story about fading Southern belle Blanche DuBois and her lapse into insanity‚ A Streetcar Named Desire’ contains much symbolism and clever use of colour. This helps the audience to link certain scenes and events to the themes and issues that Williams presents within the play‚ such
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Destiny Rides Again (1939) Director and Lead Actress Director George Marshall was born on December 29‚ 1891 in Chicago‚ Illinois. He was one of America’s earlier directors and is most well known for directing comedies. He worked closely with Lucille Ball on many different projects‚ leading her to ask him to direct her show Here’s Lucy (1968-1974). Some of his most famous projects include: How the West Was Won (1962)‚ Destiny Rides Again (1939)‚ and The Blue Dahlia (1946). As the New York
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The play “streetcar named desire” written by Tennessee William in 1949‚ which was received the Pulitzer Prize for drama in 1948. The play commenced on Broadway on December 3‚ 1947 in the Ethel Barrymore Theater. This play is about life of a woman in 19th century who could not come out of the fantasy to the real life that her self instinct and her surrounding creates extra problems in her life that makes her hide her historical and physical appearances and lied her sister and suitor. On the other
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‘A Streetcar Named Desire’ – Exploration Notes Our exploration into ‘Streetcar’ began with a focus on vocal awareness. Through developing the opening of the play through non-naturalism‚ I discovered how the use of voice and movement was key into creating the atmosphere of a multi-cultural and rundown area of New Orleans. I found that accent was a main factor in conveying the vibrant racial mix in the Quarter. The use of crescendos allowed us to create eerie atmosphere within Blanche’s living nightmare
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Overview A Streetcar Named Desire was set in the 1947‚ two years after WW2. This time was challenging as society and its buildings were being rebuilt after the stock market hit a low. The play was based in the French Quarter‚ which is the oldest neighbourhood in New Orleans. Through the duration of the play the cast members appear on the first floor of Stella and Stanley’s two bedroom flat. As the book describes the flat it has ‘a grand white staircase to leads the visitor to the door’. The characters
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A Study in Color: A Streetcar Named Desire Throughout A Streetcar Named Desire‚ Tennessee Williams associates various colors with his characters in revealing their elements of honesty‚ societal status‚ and otherwise hidden parts of their lives to shed a light on expectations that the social order forces on different classes and types of people in American society. Blue is mentioned intermittently with Blanche and consistently in association with Stanley’s cold‚ lower-class status. Blanche’s main
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