My initial reaction while reading this passage was no she should not be aloud to ride on the bus. I thought this because if I was on the bus I would not want to sit next to someone who had poison on them. I also think it is a health hazard for not only the person chained to the box of poison but also to the rest of the passengers on the bus. On the other hand doesn’t the person with the poison have just as much right to sit on the bus as the person sitting next to her or a few seats away? I think
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Sally Ride‚ a woman who literally showed all girls and women how to reach for the stars. People all over America look up to her as one of the most important heroic figures:“I was a child of the’80s. Sally Ride was one of the first important names I remember. She means success and steadiness to me”‚ “Sally Ride is a true U.S. hero for all who deserve total civil rights”‚ “She showed that women can have it all: a loving relationship‚ professional fulfillment and be a role model for all women and girls
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performance or reading the text of a play‚ we rely on the dialogue to enable us to create an image of characters in a text‚ to decide whether we like or dislike them and to try to understand them and their actions. Two levels of language are used in A Streetcar Named Desire - the words spoken by the characters in the play and the text of the stage directions. The nuances of speech set the characters in their social class context and show the differences of social status and education as well as of character
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‘A Streetcar named Desire‚’ is an interesting play‚ by Tennessee Williams. The character ’Blanche DuBois’ is created to evoke sympathy‚ as the story follows her tragic deterioration in the months she lived with her sister Stella‚ and brother-in-law Stanley. After reading the play‚ I saw Blanche as the victim of Stanley’s aggressive ways‚ and I also saw her as a hero in my eyes. Blanche’s devistating past is just one of the reasons I felt sympathy for her. Troubled from her past‚ Blanche has a
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And of course here’s the best part: no grown ups… Yep‚ no one was telling us what to do or what to eat‚ when to go to bed. Well‚ except me. I’m the oldest‚ so I try to keep things running the best I can. It’s a hard and thankless job‚ but someone has to do it. (Pg. 9) I picked this specific section of the story because it shows the significance of one of the main characters of this story. This is not just the everyday normal household; it’s much more different
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Konner Blackwell Rough Draft William Golding’s Lord of the Flies begins in a place every child dreams of an island without parents or rules where they can finally be in charge of themselves. Given these circumstances‚ these British students ranging from ages six to twelve began their experience on the island with enjoyment and relaxation. However‚ these children soon discover the darker side of this tropical paradise when they argue over which tasks are more important. This leads into the discovery
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The Night Stalker Richard Ramirez also known as "The Night Stalker" was a notorious serial killer who tormented the lives of Los Angeles residents by raping‚ sodomizing‚ murdering‚ and torturing random citizens of the community. Ramirez was addicted to cocaine and was a Satan worshiper. His rain of torture throughout 1985 included over 29 victims. He has already outlived some of the victims that survived his attacks. In 1985 Ramirez was captured by an angry mob of citizens. Ramirez was
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Cited: Williams‚ Tennessee. “A Streetcar Named Desire.” New York: New Directions‚ 2004.
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Streetcar Named Desire & Mean Girls speech/essay: In every human relationship‚ there is some kind of power involved. It is the core of all human relationships. The power of seduction between a women and a man‚ the power of persuasion‚ the power of strength over weakness‚ the power that a parent holds over a child‚ power of wealth and social statues are just some different kinds of power which are adapted in own everyday lives. With friendship‚ comes decisions‚ which comes then with control
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Examine the construction of masculinity in A Streetcar Named Desire and Death of a Salesman. In both A Streetcar Named Desire and Death of a Salesman there is a male figure at the head of both families who assert and express their masculinity in quite dissimilar ways. Referring to the screen adaptations of both plays‚ Stanley Kowalski is a strong‚ aggressive and forthright individual whereas Willy Loman through stature as well as speech is a bumbling‚ weak and nervous fool‚ driven by his own delusions
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