The CSUN Jazz A Band performed at the Valley Performing Arts Center on February 28‚ 2013 at 7:30 PM. The director‚ John Daversa‚ put together two sections of the show; the first section exhibited the works of Dee Barton‚ a local jazz musician that recently passed away and the second half introduced two renowned vocalists that accompanied the jazz band. The first vocalist was Renee Olstead‚ an entertaining vocalist with a strong and soulful voice. The second vocalist was Tierney Sutton who has an
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Bebop jazz‚ which "slowly evolved from late swing and transition period jazz" (Jazz and the Beat Generation)‚ was quite a shock to the white population when it first appeared on the scene during the Depression. This intricate compilation of sounds became the staple for all that was anti-commercial and as much a part of African-American roots as possible. The reason for such separation between blacks and whites when bebop became so popular is that white musicians were in it for the commercial success
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Question 1 The project that Mr. Rutland is trying to manage is establishing maintaining a National Jazz Hall of Fame(NJHF) in Charlottesville‚ VA. The NHJF was created and has been in existence for about one year. Now‚ Mr. Rutland has found that the Paramount Theatre in downtown Charlottesville‚ which shares it’s name with a famous jazz hall from the 1930s and 40s in New York City‚ is about to be demolished and would like to save and renovate the building as the headquarters for the NJHF.
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the stage; the men wore tuxedos‚ and the women wore black dresses or pants. The concertmaster came out to tune the orchestra‚ and then the conductor made his entrance and gave a brief description of the piece that was about to be played. George Frideric Handel’s Overture to Music for the Royal Fireworks was composed during the Baroque era. It has a homophonic texture and its genre is a suite. There is a wide variety of instruments (aerophones‚ chordophones‚ and membranophones) used in this piece
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genre of Indonesian popular music that is partly derived from Arabic‚ Indian‚ and Malay folk music. It developed in the 1970s among working class Muslim youth‚ but especially since the late 1990s has reached a broader following in Indonesia. A dangdut band usually consists of a lead singer backed by four to eight musicians. The term has been expanded from the desert-style music‚ to embrace other musical styles. Modern dangdut incorporates influences from Latin‚ house music‚ hip-hop‚ R&B‚ reggae and
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Origins of Jazz Dance in American Culture The varieties of jazz dance reflect the diversity of American culture. Jazz dance mirrors the social history of the American people‚ reflecting ethnic influences‚ historic events and cultural changes. Jazz dance has been greatly influenced by social dance and desired music. Like so much that is “from America‚” the history of jazz dance commences somewhere else. The origins of Jazz music and dance are found in the rhythms and movements brought to America
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Concert Report Analysis of Coltrane Jazz Concert There is definitely a difference between seeing a live performance and listening to it on the radio or on a compact disc. Listening to live music is definitely a wonderful way to spend a Saturday night. I went to a jazz concert at the Bluebird. It was a beautiful experience. I thought it was a throw back to the days where television was in black and white. It was a very intimate setting between the band and the audience. The band was very
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Breaking News: Bebop Jazz Influences Beat Poets The 1950’s was an unusual decade to say the least. Some would say it was a lost decade because it doesn’t get mentioned much in the history books. But there was plenty that happened that would shape the decades to come. In a time when the United States was heavily conservative due to the popularity of the fight against communism there was a little known revolution taking place by a group of young rebels who were known as the Beatniks. Some of the
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The folder was empty except for a small excerpt of sheet music from Chicago’s “25 or 6 to 4”. The piece that determined which instrumentalists made it into the top jazz band and who got put into the ‘you tried’ jazz band. After today‚ I wanted to fill this folder with the Jazz One selections that Mr.Brown specifically picked out for his most talented musicians. Not that his ‘talented musicians’ are any good outside
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<b>Abstract</b> <br>This essay is a discussion of how the way jazz trumpeter Miles Davis changes his way of improvising‚ looking at two pieces from different times. The solos in the pieces were transcribed by myself and then analysed in detail. From these analyses‚ several conclusions on the style of improvising were drawn‚ and then the conclusions from the two pieces were compared. The piece New Rhumba’‚ showed how Davis was using his technical ability to create an impressive solo‚ but was also
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