Cindelila. She had a cruel stepmother. STEPMOTHER: And…did you make breakfast? CINDELILA: Yes‚ breakfast is ready. STEPMOTHER: Did you iron my clothes?? CINDELILA: Yes‚ I did. STEPMOTHER: Did you clean the kitchen??? CINDELILA: Yes‚ way to finish… STEPMOTHER: Uhhh-OHHH!! I see dirt!! Here….Here….Here…and you yourself!!!!! IS THIS WHAT YOU CALL CLEAN??? GET FAR AWAY FROM ME U THIS DIRTY GERM!!! EWWWWW!! *kicking Cindelila* NARRATOR: The evil stepmother always make Cindelila
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In this week’s readings‚ my comprehension of love expanded via Plato’s Symposium. Similar to the Shiva Purana‚ some of the eulogies given in the text perpetuated males as the dominant gender. Furthermore‚ the text‚ especially Socrates eulogy‚ left me with several inquires. To begin‚ a parallel between the works is the concept of the importance of males and the dehumanization of females. For instance‚ in the Shiva Purana‚ although Shiva and Parvati were supposedly “in love‚” the only love prevalent
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Prince. The accident was known around the world and many newspapers and news programs wrote articles about the late Princess’s death. The Queen of England and Princess Diana’s brother Lord Spencer spoke about the Princess in a televised speech and her eulogy at the funeral service. The first article reporting of the Princess’s death was from the British Broadcasting Company (BBC) on August 31‚ 1997‚ the morning of the crash. This article tells the basic information known at the time of Princess Diana’s
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softness‚ loving‚ and selflessness. Now‚ if I was to ask you to think about a stepmother‚ what comes to mind? Most people think of cunning‚ crafty‚ conniving‚ selfishness‚ and wickedness. Have you ever thought about how the stepmother gets this bad wrap? As children we are practically brainwashed by Disney fairy tales that help us label stepmothers as wicked or evil. In these Disney movies we never see the stepmother portrayed as nurturing‚ soft‚ loving‚ and especially not selfless.
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Often in plays‚ the turning point is significant. The turning point usually occurs after the climax and begins the denouement. In William Shakespeare’s play‚ Julius Caesar‚ the funeral orations delivered by Marc Antony and Brutus is the turning point. Marc Antony delivers the more effective funeral oration because he plays with the commoners’ emotions and uses repetition to illustrate sarcasm which wins the crowd over. Funeral orations commonly focus on emotions. Marc Antony’s funeral
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Their stepmother is able to convince the father to abandon the children in the woods. The stepmother wants to do this because the children eat a lot and the family does not have the amount of food that they want. Leaving the children in the woods seems like a good plan to the stepmother because they will no longer be responsible for them. Even though the father does not want to leave his children
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Cast Tooba: Cinderella Trinh: Lady Tremaine/stepmother Maiza: Drizella/stepsister‚ Mice 3 Ivan: Louse/ Stepbrother‚ Mice 1
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they always have happy ends. Mostly good people are beautiful and bad people are ugly. Fairytales are used to teach children morals and some principles. In my opinion‚ however‚ they usually reinforce stereotypes like the death of mothers‚ wicked stepmothers‚ prevalence of good over evil and a happy conclusion. Mostly mothers and brothers die in fairy tales. The deaths of fathers and daughters are less likely (Atwood‚ 1998‚ p.31). The death of a mother is a common event in
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fairytales are lost or given less importance in order to make the read or the film more child friendly. Their association with wish-fulfillment has over powered the tales darker aspects‚ such as human fears and anxieties. Evil witches and cruel stepmothers are some of the main‚ most dominant characters in fairy tales that add fear and anxiety to these fairytales. Physical appearance plays a very important role in fairytales today. Characters like Snow White and Cinderella are beautiful women. “The
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to unravel an underlying mystery of the classic children’s tale; that the stepmother and the witch are the same person. With a new vantage point on the story‚ a common theme of betrayal is encountered in Gretel’s lifelong quest for affection. There are three scenes that Glück eliminated that are crucial to the development of the proposed witch and stepmother congruency. The first scene is the one in which the stepmother explains her motive for getting rid of the children. In the story‚ it is
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