Running head: The Erotic and Sexual Nature of Dracula The Erotic and Sexual Nature of Dracula Kimberly Irish Axia College of University of Phoenix 1 Abstract Dracula‚ is the king of the vampires. Since Bram Stoker ’s novel was published a fascination with vampires has boomed. In its wake there have been countless books‚ films and research on Dracula. One often overlooked element in the ’Dracula universe ’ is the use of erotic and sexual references. These references are sometimes subtle
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E-302 26 September 2012 Fine Arts Critique Dracula Are you into horror‚ drama and a good scare? If you answered yes then Dracula at Actors Theatre of Louisville is the play for you. The play was directed by William McNulty. This play was absolutely astonishing and I personally loved every minute of it. Dracula’s plot consists of a villainous vampire named Count Dracula and several brave men and women working together to try and defeat Dracula. The play is a summary of the events that take
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Good Man Is Hard To Find Flannery O’Connor was one of the most known authors for writing southern gothic short stories. Southern gothic became a style of writing in the wake of the civil war and brought up questions in society like‚ ‘Why is violence such a large part of the south’s culture?’ and‚ ‘How did the South have such a hard time picking itself up after its defeat in the war?’ Southern gothic is usually decayed‚ grotesque‚ or derelict settings and situations and had themes of ambivalent gender
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people perceive other’s at a time also contributes majorly to the development of modernity. Bram Stoker’s novel ‘Dracula’ and David Goyer’s film ‘Blade Trinity’ contrast significantly as a result of difference in context. Weaponry had developed immensely over the two stories to cater for the advancements from one classic vampire to a fresh‚ modern‚ powerful one. The story of ‘Dracula’‚ set in Victorian times‚ consists of the simple‚ almost primitive weaponry‚ particularly ones of a superstitious
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Stoker’s uses Dracula as the main challenge for the protagonist‚ Jonathan Harker. In Dracula One of the most prominent things that happened during stoker’s time is Sigmund Freud ideologies‚ which were sweeping the philological field. Ego and sexuality are the biggest pieces of influence Stoker took from Freud. Freud argues that the superego drives the human’s subconscious‚ the superego controls us‚ Dracula is the superego to his subjects because he has control
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Dracula The book Dracula was written by author Bram Stoker. It is about the journey a group of friends takes to rid the world of a master vampire‚ and the sorrows and danger along the way. It includes a heart wrenching struggle to believe in something only thought of in the darkest and most secluded portions of the mind. The book although set in London and the surrounding area for the most part‚ begins with Jonathan Harker’s journey to Transylvania. The rising action starts when he then
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In this essay‚ I would like to expose myself to the question how the non-human agency of a bat can be reflected through Bram Stoker’s novel Dracula? Furthermore‚ does nature exist in any prediscursive form prior to its marking by human culture? In Stoker’s Dracula a big bat flaps and buffets its wings against the window of Lucy Westerna frightening her out of her wits. In this novel bats can be seen as representing the uncanny and mysterious of nature; and moreover‚ as we humans are part of nature
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“‘Frankenstein’ is primarily a novel about the supernatural” Explore this idea in Shelley’s novel and consider how Dracula illuminates your understanding of the core text. The idea of the supernatural is an idea that has been around for centuries and is an idea that both Mary Shelley and Bram Stoker choose when they wrote their novels ‘Frankenstein’ and ‘Dracula’. The idea of the supernatural in its literal meaning is the opposite of anything natural; it is the existence beyond the visible and observable
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The frequently used concepts in Dracula to objectify women as sexual objects‚ gives the reader an insight into Stoker’s ways on implementing the Victorian male imagination and society’s extremely rigid expectations for a female. In the Victorian era‚ the women had only two scarce choices to choose from‚ either be a virgin – which basically consisted of being a role model of purity and innocence – or a respected wife and mother. If women did not met these socially acceptable standards they were either
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through Isolation Mary Shelly depicted destruction commencing due to gothic isolation in the novel‚ Frankenstein. She placed Victor Frankenstein inside a living space cohesive to harmony and unhindered development from a young age; it lent itself to self-exploration and a lack or emotional pain. The author used the youth as support towards the display of darker isolation. Victor’s choice of scientific exploration and gothic isolation securely left coherence‚ as he continued his path towards discord
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