would having to be the constant monologuing. I don’t have any problem with monologues as a literary device‚ but Shigatsu uses it too much. It takes away from the impact of the monologues. I’m a big fan of showing‚ and not telling as much‚ but Shigatsu just barely does any *real* showing. There are plenty of monologues that can be taken out of the show‚ and it would be for the better. When there’s at least one monologue per episode (usually more)‚ it really starts to get tiring for me personally
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Levin’s essay exemplifies the significance of Pechorin’s monologue and his action towards Princess Mary of how it is portrayed throughout the book. Levin says that this specific monologue is known as “Pechorin’s confession” that illustrates his characterization – corrupted and a deceiver. Levin states that Pechorin is always in an “assumed” atmosphere. He says that if one “assumes a certain air‚ it means one is playing a role: and thus we have reason to disbelieve him.” His argument saying that Pechorin
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Shuo Lee Monologue Essay Nov. 7‚ 2011 FA THEA 1520 Questions 1) Clive Harrington is caught between his mother’s affection and his father’s criticism on how to be a man. In this monologue‚ Clive has enough with his father’s opinions and has an argument with him. He finally gets his points across to his father. 2) Clive wants his father to realize that he is not in control of what Clive wants
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The vagina monologue is an episodic play written and starred by Eve Ensler. The play is made up of several personal monologues that touched subjects such as sex‚ love‚ body image‚ birth‚ and orgasms and even hair. Ensler interviews a variety of women from different ages‚ ethnicities‚ races‚ social classes‚ and many other identities. Each story provided different perspectives and responses on vaginas. The play enhances the empowerment a vagina is to a female. The lightning of the stage and use of
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settled… man… and wife... have a dance of thanksgiving” (1273-76). There exists no redundant scenes that do not contribute to the total effect. Indeed‚ the sporadic scenes serve to amplify the uncertainty and demonstrate how Lysistrata’s plan works. For example‚ the scene between Myrrhine and Cinesias shows how desperate the men have grown for sex and how wily‚ ingenious‚ and strongminded the women feel. Calonice keeps insisting for Myrrhine to just: “lie down...and don’t bring… / anything for any reason
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dream and reality‚ narration sets the pace and tone of the feature‚ with the audience being prompted by the omnipresent observations of the protagonist. Boyle’s efforts to elevate vocals to greater prominence is seen through Renton’s “Choose Life” monologue in Trainspotting (1996) or Richard’s expository interjections in The Beach‚ Damian’s saintly stories in
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juxtaposed with the spectacular as she transcends time and memory in a dramatic representation of a domestic family relationship turned sour. There are many examples of how Pollock accomplishes this‚ specifically by incorporating dramatic units such as the monologue spoken by Bob in the second act. At this point in the play‚ it is clearly known that the family relationship is deteriorating and that Bob has a dependence on alcohol. This dramatic unit ties in with both of these facts as Bob contemplates how
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A monologue of a broken heart. by ~Sazroy‚ Apr 23‚ 2006‚ 6:36:33 AM Literature / Prose / Non-Fiction / Biography & Memoir What becomes of the broken hearted? Nothing. You think you know love -- then that love turns out to be an egotistical self-involved bastard who’s no braver than the house mouse living in your walls waiting ’til you least expect it. I’ve made mistakes before. But nothing compares to the ones made with him. The ones made in his arms‚ his unloving false arms’ embrace that somehow
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“Monologue for an onion” by Suji Kwock Kim The poem “Monologue for an onion” by Suji Kwock Kim begins with the peeling of an onion that could very well describe her and her agony‚ but further reading reveals that the majority of the poem is directed at the person doing the peeling. The reader cannot help but sympathize with the peeled onion‚ whether the emotions stem from the hurt state of the onion or from the aggressive peeler. Clearly the poet’s attack of the peeler grabs the attention of
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Be aggressive out of your dive‚ think of every stroke as a reach toward to the wall‚ don’t pull yourself high on your turns‚ keep foot flexed and knees together for the kick… My inner monologue continues as I run every detail of my race through my head. Adrenaline pumps through my body‚ following the beat of the music pulsing in my ears. I had prepared for this moment all season… Scratch that‚ I didn’t even think I’d get here. I was just waiting and watching‚ dreading every second the clock brought
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