Pictures at an Exhibition: A Reminiscence of Victor Hartmann Modest Musorgsky is a famous composer of programmatic music with his best example being Pictures at an Exhibition: a series of short pieces‚ all pertaining to his close friends paintings‚ Viktor Hartman. Musorgsky and Hartman’s relationship was founded in their passion for art and music. Hartman’s paintings were a large source of inspiration for Musorgsky and his compositions‚ where each section of Pictures was written to represent
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a very historical structure designed by an English gardener also an architect named Joseph Paxton. It is said to be an exhibition hall composed of huge glasses and metals which housed the Great Exhibition of 1851. Its design is based on multi-faced urban life and it has a crystal shape which represents challenges and complexities. Crystal palace has 2‚760m² (29‚709ft²) exhibition space at its center in which its nine zones named as Creating Cities‚ Smart Buildings‚ Safe and Sound‚ Go Electric‚ Water
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Romantic Period (circa 1800-1900) The Romantic Era sprung from literature and free thinking caused by the French Revolution (1789-1794). Stories and poems of heroics written in the Romance languages French‚ Spanish‚ Italian and other Latin-based languages conjured images of fantasy and imaginary other worlds. The Romantic period was somewhat detached from reality‚ and focused less on the present than on the past and future. Music was seen as the best medium to express the values of the Romantic
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html?subview=Main&entry=t114.e4642> Jacobson‚ Bernard. Liner notes. Pictures at an Exhibition. Philips‚ 1991. CD. Mussorgsky‚ Modest (Petrovich). Encyclopedia Britannica. 15th ed. 1988. Print. Oldani‚ Robert W. “Musorgsky‚ Modest Petrovich.” Groves Encyclopedia of Music and Musicians. Xth ed. 200X. Print. http://imslp.info/files/imglnks/usimg/7/75/IMSLP41547-PMLP03722-Mussorgsky---Pictures-Of-An-Exhibition---Ed-Kalmus.pdf Union of Soviet Socialist Republics. Encyclopedia Britannica. 15th ed.
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attitude to people and his attitude towards things that he buys. It is difficult to find out real theme of the story. Each of us can find his own cause and theme‚ because the author forces it upon the story. The story takes place in hospital room‚ art exhibition in the course of a few months. It’s represented with last words of Ellsworth that he bought the Lathrop Gallery last month. There seems to be an impression‚ that the author didn’t want a reader to see the setting‚ but to feel it. The author doesn’t
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exhibits alone introduced more than 2‚5 million workers to the creations of true German art. Just five years ago‚ it was obvious that the great works of German culture belonged to a small group of the upper class. Besides the factory concerns and art exhibitions‚ the NS Society Kraft durch Freude uses theatrical performances‚ other concerts‚ singing and musical groups to introduce the creations of German art to every working German. 22 million citizens have attended theatrical performances‚ 5.6 million
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Two exhibitions‚ both held during October 2012‚ will form the bases of this comparative essay. Chanel’s fashion photography exhibition entitled ‘The Little Black Jacket: Chanel’s Classic Revisited’ held at the Saatchi Gallery 12th October - 4th November 2012‚ and Vermibus’ display of appropriated adverts called ‘Unmasking Kate’ shown at the Moniker Arts Fair 11th -14th October 2012 will be used to explore the links each exhibition has to the themes of advertising and celebrity. ‘The Little Black
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The Nazi Degenerate Art Exhibition is a showcase of artworks that have been stolen and destroyed by Nazi’s at the time. These works of art were known to be “degenerate” according to Adolf Hitler; because it was far different than the classical artworks that had more meaning and made more sense rather than abstract modern art. Originally the art show was put on in order to shame the artists and expose the German’s to the unacceptable artwork. The Exhibition was presented to “demonstrate that modernist
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Chelsea R. Roush September 17th‚ 2010 Assignment 2 The Glass Pavilion In the summer of 1913‚ Bruno Taut architect and urban planner began work on the experimental glass pavilion. He proposed to build this for the upcoming Werkbund exhibit in Cologne‚ Germany. Taut was known for his theoretical work and was seeking new artistic spirit. Pioneering the way‚ the Glass Pavilion is one of the earliest architectural examples of Expressionism. The Glass Pavilion was a collaborative project‚ done
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