The Desire to Justify Cruelty When do we overlook malicious behavior? Is our emotional appeal to like a person enough for us to look past deliberate cruelty? Bound up in the play A Streetcar Named Desire is the fundamental question of how the characters are dialectically cruel and the ways they justify their desires. By means of a theme of cruelty when whiteness is evoked‚ author Tennessee Williams displays when we justify the actions of others to reinforce gender identities‚ and the emotions which
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AP English Literature – A Streetcar Named Desire Novels and plays often depict characters caught between colliding cultures – national‚ regional‚ ethnic‚ religious‚ institutional. Such collisions can call a character’s sense of identity into question. Select a novel or a play in which a character responds to such a cultural collision. Then write a well organized essay in which you describe the character’s response and explain its relevance to the work as a whole. “Home is where the heart lies”
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[The lights are dim‚ slowly turning on. The polka is playing now‚ but out of tune and deflated. On the stage‚ we see Blanche‚ looking like a trapped animal sitting at Mitch’s spot at the poker table. A door opens from Stanley and Stella’s bedroom as we see Stella. The two look sullen as they exchange eye-contact] STELLA: If I had half a mind‚ little sister… BLANCHE: Oh indeed. Sometimes I even wonder if you have a mind at all! Or a heart! Maybe your brute of a husband has rubbed off on you? STELLA:
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A Streetcar Named Desire: A Light and Dark Perception There are many connotations leading to the words light and darkness‚ but generally‚ most people relate the word light with positive meanings‚ and they associate the word darkness with negative meanings. However‚ in the play A Streetcar Named Desire‚ Tennessee Williams uses the theme of light and darkness in very interesting ways to further highlight key points and characters. He uses light and darkness in both physical‚ as in being actually
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of Victorian class difference. Jane is reliably a poor individual inside a well off condition‚ especially with the Reeds and at Thornfield. Her neediness makes various obstructions for her and her quest for joy‚ including individual instability and the foreswearing of chances. The excellent Miss Ingram’s higher social remaining‚ for example‚ makes her Jane’s primary rival for Mr. Rochester’s adoration‚ despite the fact that Jane is far prevalent as far as astuteness and character. Besides‚ Jane’s refusal
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A Streetcar Named Desire is written by Tennessee Williams‚ and later filmed by Elia Kazan as director in 1951. The play depicts a story of Blanche Dubois‚ who is exiled from her hometown and go to her sister Stella for shelter‚ loses her mind due to her inappropriate and flirtatious behavior and intense desires of love‚ beauty and youth. In order to present such human tragedy on the movie screen‚ director of the film‚ Elia Kazan‚ make elaborate and meticulous choices‚ arrangement and organization
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it’s a dream as common as stupidity. Ryan was the first man to confess his dislike of those (men) who practice homosexuality. You don’t know why you were so hurt when he spoke from his belly. You probably were more so afraid of the solitude that comes of not being liked. And yet‚ you intentionally closed yourself off from him to increase self comfort. As with many people‚ you usually find flaws in another to disassociate and‚ as with Ryan‚ it brings you joy and then heartbreak. As a result‚ you move
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How is the character of Blanche presented in Scenes 1 and 2 in ‘A Streetcar Named Desire’? In ‘A Streetcar Named Desire’‚ Tennessee Williams presents Blanche DuBois as an extremely multifaceted character who represents both old and idealist values in America. Appearances are deceiving‚ and this is clearly shown through the character of Blanche in the play‚ as she puts on a smug and arrogant front to conceal her fragile personality. To ‘blanche’ something is to ‘drain it of colour’ and thus the image
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Playwright Make Use of Light and Sound? A Streetcar Named Desire is a play written by Tennessee Williams in 1947. Like in many other modern plays‚ here the playwright makes an extensive use of stage effects: the ideas are expressed not only through words‚ but also by sound‚ music and light. They are used to set the context and the mood of the scene – or of the play in general; to implicitly suggest an idea‚ an action; to show the feelings of a character‚ and to let the audience into his/her mind
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Dubois exemplifies Arthur Miller’s ideas of tragic figures who suffer from terror and fear of self delusion. Blanche suffers from trying to deceive herself and others about her lifestyle and appearance. Arthur Miller said‚ The flaw‚ or crack in the characters‚ is really nothing-and need be nothing‚ but his inherent unwillingness to remain passive in the face of what he conceives to be a challenge to his dignity‚ his image of his rightful status. Blanche refuses to remain passive throughout the play‚
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