"Fairy tale appropriation" Essays and Research Papers

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    Labyrinth is a pubescence story of a little girl and Spain. The film tells both the Spanish Ciwil War and Ofelia’s fairy tales at the same time. When I look into the event flow I can see easily Propp’s effects. The film based on the fairy tale elements‚ almost entirely coincide with Propp’s formal elements for fairy tales. V. Propp is not opposed to the examination of the historical tale. According to Propp the best to perform historical imagery is founding formal rules also formal researches should

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    subtexts of fairy tales present the view that women are either helpless damsels or wicked vixens‚ created from the fantasies of male desires. How and to what extent does Angela Carter’s Snow Child challenge or reinforce this view? Angela Carter’s The Snow Child is a feminist revision of the Grimm Brothers classic fairy tale Snow White. Whilst reading the story‚ it is clear that Carter challenges the “repeated familiar cultural stereotypes” which is a common theme in these fairy tales which have a

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    a general rule‚ children love fairy tales. We grow up being read Grimm’s or watching Disney remakes of classics. Parents love telling children fairy tales not only because they have an opportunity to spend time with their sons and daughters‚ but also because fairy tales‚ like fables‚ always contain a lesson or moral within them. Although both Kate Chopin’s "The Storm‚" and D.H. Lawrence’s "The Rocking Horse Winner" have some of the qualities of a child’s fairy tale‚ only one of the stories has a

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    follow because we do not want to suggest values for moral conduct. Many arguments have risen over claiming classic tales are bad for our children. I believe‚ for the most part‚ children will be able to recognize the difference between stories and realistic aims and expectations of life. Also‚ at the same time they should be exposed to lots of different stories and stimuli so classic tales alone are not going to have a stronger impact on their development than the influences the media portrays on a

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    subverts several conventional gothic aspects. Females in traditional fairy-tales are often passive and submissive victims‚ whereas there is a reversal of this role‚ in how Beauty returns to save the Beast from death. Carter presents several changes of form and character‚ which in some ways eradicate the traditional gothic image. Carter uses Beauty in ‘The Courtship of Mr Lyon’ to initially represent the archetypal female in fairy-tales; she’s a ‘lovely girl’‚ and dutiful to her father‚ being ‘possessed

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    The White Horse of Alih

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    Outside Over There (1981) was published as a picture book for both children and adults‚ and J. K. Rowling ’s HARRY POTTER series is available in adult and children ’s versions with the only difference being the book ’s cover art. While folk and FAIRY TALES were not originally intended for children‚ they have become a staple of children ’s literature since the early nineteenth century. On the other hand‚ many books written for and widely read by children during the seventeenth and eighteenth centuries

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    Nostalgia‚ The Function of the Disney Princess‚ believe that the Disney princess has progressed. Another aspect of Disney’s movies that catches the eyes of critics is the moral simplification in the films. They believe that the morals from the original fairy tales are being manipulated and simplified in the Disney films. A. Waller Hastings‚ author of Moral Simplification in Disney’s The Little Mermaid‚ and Finn Mortensen‚ author of The Little Mermaid: Icon and Disneyfication‚ both agree that Disney’s simplification

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    Bruno Bettleheim’s "The Use of Enchantment" Children are seldom told fairy tales nowadays. There are several story books for children with moral lessons to learn at the end of the book. There are many great kids books with standards of moral values‚ which are favorite for family education. With many books to choose from‚ children have astounding choices of reading materials. Together with classics‚ there are classic story books with the adventures of licensed characters‚ irony‚ and new story books

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    centered around one woman’s Holocaust experience and intermixed with the classic fairy-tale‚ Sleeping Beauty. Yolen’s uses of classic fairy-tale elements such as a prince and the curse of a long sleep are used to connect us to the horrors of the death camp Chelmno. The result is a story that is fresh and shocking as it tears away any of the numbness one may feel for another account of a Holocaust survivor. Suddenly the fairy-tale ideas of rescue and evil are invested with modern connotations. Jane Yolen

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    Genre in Cinderella

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    Gender Expectations in Cinderella Our culture is full of fairy tales. These fairy tales started out as entertaining stories‚ but as they were handed down from one generation to the next‚ they slowly became more than that. They became bedtime stories for children‚ and as such‚ they have great importance because they teach children how to be in the world. One such fairy tale is Cinderella‚ and a look at a storybook for children‚ Disney’s Cinderella‚ adapted by Lisa Ann Marsoli‚ demonstrates

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