Madelyn Martinez English Comp II 1302-1005 February 28‚ 2013 “The Story of an Hour” as a Feminist Text The narrator introduces Louise Mallard as a wife with some type of heart problem. Her sister Josephine and Richards take great care when telling her that her husband has died in a train accident. Despite the sad news she receives‚ she is unable to contain her feelings of liberation and is elated with thoughts of a long life free of her spouse. Unfortunately for Mrs. Mallard‚ her husband soon
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Angels and Monsters in Heart of Darkness Joseph Conrad’s varying depiction of women in his novel Heart of Darkness provides feminist literary theory with ample opportunity to explore the overlying societal dictation of women’s gender roles and expectations in the late nineteenth and early twentieth century. The majority of feminist theorists claim that Conrad perpetuates patriarchal ideology‚ yet there are a few that argue the novel is gendered feminine. Sandra Gilbert and Susan Gubar claim “Conrad’s
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its perpetrators‚ and its causes; and‚ relatedly‚ an interest in its prevention‚ and in the deterrence‚ treatment‚ and punishment of offenders‚ (The Oxford Handbook of Criminology‚ 2012). Feminist criminology specifically suggests addressing crimes committed by women. According to Burgess-Proctor (2006) Feminist criminology or the development of female crimes as a mature theoretical orientation gradually became an accepted theory during the 1970s as a pioneering generation of women insisted that
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(McCullough‚ p6). Many people engage in conversations that discuss various oppressions such as racism‚ sexism‚ heterosexism and classism‚ but rarely do we discuss how these oppressions interact with each other. In the Combahee River Collective’s “Black Feminist Statements” the women write about the importance of identifying connections among various kinds of oppression; “The most general statement of our politics at the present time would be that we are actively committed to struggling against racial‚ sexual
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Charlotte Perkins Gilman ’s Feminist Piece Charlotte Perkins Gilman orchestrates an all-out feminist assault on societal male dominance in her work‚ “The Yellow Wallpaper”. She cleverly conceals her points in an attention-grabbing story about a wife seemingly held prisoner by her mental deterioration. However‚ the real captors turn out to be societal norms where men are in charge and other women unwittingly supporting the oppressors. Set in the late 19th century‚ the story reflects the current
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Fat‚ it is a word we all know very well. It is a simple word‚ but yet the definition is so complex. In today’s society “fat” has an extremely negative connotation. We criticize and fat shame individuals who do not fit the ideal body type. Recently in a video title‚ “Dear Fat People”‚ so-called comedian‚ Nicole Arbour argues that obese people should be fat shamed because they choose to be that way. Logically‚ if we make them feel bad about themselves‚ they will surely be motivated to get skinny and
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narrator‚ through John’s characterization and Jane’s thoughts‚ urges the narrator to free herself from the clutches of the ‘Wallpaper’. Jane’s mere desire to express her thoughts and ideas which break through the society’s toughest barriers is a feminist statement itself. For example‚ when Jane reveals that she wrote despite being intellectually limited by the society‚ it conveys that she’s willing to stride away from the societal rules to express her desires. This illustrates empowerment of women
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The Wizard of Oz was a powerful movie made in the thirties. It did not just tell a simple story of a girl who gets lost‚ but also brought many different ideas about current events of that time to the surface. The Wizard of Oz was released on August 25‚ 1939‚ a time where women did not play a big role in society. It tells a story of a young girl who magically appears in the Land of Oz after a powerful twister comes through Kansas‚ her home state. In Oz‚ Dorothy goes on a journey to find the great
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The feminist critical perspective examines the roles that women play in literary works and their true significance to the text. Their roles are usually decided on by the society or time period in which the story is set. In "The Merchant of Venice‚" females were suppressed by the societal ideals of Shakespeare’s Elizabethan era‚ which is portrayed through the characters of Portia and Jessica‚ who could not establish their own powerful identities because they were women. Portia and Jessica are the
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The Feminist View: Beauty and the Beast The Disney film Beauty and the Beast was released in the year 1991 the film is a well known story that portrays the love between two completely different characters. This motion picture takes place in the mid 1700’s in a quaint French Town and focuses on the crazy inventor’ daughter Belle‚ who does not fall under what is expected from a young woman at the time. The film portrays Belle with a peculiar character‚ with an interest in her education and her nose
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