Chapter 18: Toward the Modern Era 1870-1914 Define: 1. Program music 2. stream of consciousness 3. pointillism Times to Know: 1. Impressionism begins (c.1874) 2. Post-impressionism emerges (c.1880) 3. German Expressionism (c.1903-1913) 4. Fauvism begins (c.1905) 5. Beginning of World War I (1914) Names to Know: 1. Cassatt 2. Cezanne 3. Degas 4. Gauguin 5. Manet 6. Monet 7. Morisot 8. Renoir 9. Rodin 10. van Gogh 11. Seurat 12. Picasso 13. Braque 14.
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most subjects/ themes of paintings were the daily lives of upper/middle class people‚ the nobility‚ Christianity‚ and landscapes. Also the paintings then stressed realism. That totally changed until the 19th century where artistic movements like fauvism‚ impressionism‚ and a whole lot of other “isms” sprung up and eventually paved the pathway to Modern Art. Already in the 19th century with artists like Manet with his infamous piece Olympia‚ were people touching upon ways to show sexuality in art
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Cubism‚ which was developed by Pablo Picasso and Georges Braque‚ was a style of art that ultimately defined the period. Instead of accurate or perfected images of humanity or the surreal of nature‚ cubism was a new form of the avant-garde genre. As fauvism splintered‚ Picasso and Braque‚ took the bold contrasting colors of that style/period and mixed them with many contrasting geometric shapes to create this new style of art. It was a way of expressing the tumultuous events‚ both good and bad‚ that
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Paul Klee’s painting. As a representative member of German Expressionist‚ Klee believed art was to “make visible” rather than “reproduce visible”‚ challenging the former notion of art as the representation of the real world. Influenced by Cubism‚ Fauvism and Der Blaue Reiter‚ Klee is similar to Wassily Kandinsky regarding the abstract art style and Bauhaus teaching experience. Whereas‚ instead of a pure geometric composition that Kandinsky convinced in‚ most of Klee’s paintings are abstract but figurative
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c.) Mangling > cut‚ mutilated‚ lacerated d.) Cubism > geometric shapes e.) Abstract expressionism > colors are splashed/mixed 3. Symbolism : a.) Sign > specific /definite b.) Symbols > deeper meanings (Da Vinci / Michelangelo 4. Fauvism > Latin word “wild beast Intense‚ bright‚ vivid colors Joy‚ comfortable Least use of light & shadow 5. Futurism > Machine and thermology Planes‚ car‚ robot‚ computer
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century (by: Chiara Leano BFA-ADV1) -known as modern art -expressionism dominated this century Expressionism -from its root word “express”‚ it’s intention is to express the inner state ( feelings) of the artist 20th century art movements Fauvism (France) (painting by Henri Matisse) -earned their name ("les fauves"-wild beasts) by shocking exhibit visitors on their first public appearance‚ in 1905. -full of violent color and bold distortions. Die Brucke (Germany) -The Bridge - made
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BMS122: APPRECIATING LEISURE LIFESTYLES Types of Art: Main Periods 1. 2. 3. Visual Arts Appreciation Part 2 4. 5. 6. 7. Pre-historic Ancient Medieval (Middle Ages) Renaissance Baroque / Rococo 19th Century 20th Century 6. 19th Century Art 19th Century Art: Neo-classicism Includes: 1. 2. 3. 4. Neo-classicism Romanticism Realism Impressionism Rebirth to the art of ancient Rome and Greece‚ and the Renaissance Costumes‚ settings‚ and details depicted with much
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Matisse was born in a small cottage in 1869‚ he was his parents first born child. His father was traditional and stern whereas his mother was kind hearted and loving. In addition to having a compassionate soul‚ Henri’s mother ran a section of her husband’s shop that sold house paints. Anna‚ his mother‚ loved everything Henri did. Throughout his life‚ he spoke very highly of his mother‚ after all‚ she is responsible for Henri’s discovery of art. In 1887 Henri went to school to study Law in Paris‚
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remained popular during the Weimar Republic‚ particularly in Berlin. The style extended to a wide range of the arts‚ including painting‚ literature‚ theatre‚ dance‚ film‚ architecture and music. Expressionism took two major forms in Europe‚ including Fauvism and German Expressionism. Honour and Fleming describe the difference between the Germans and the French in the first decade of the 20th century: “Even more subjective than
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century‚ the works of Matisse are recognized around the world and across time for their colorful imagery and modern flair. In fact‚ he helped to build and shape the modern art movement of the early 1900’s. Matisse is arguably most well known for his Fauvism‚ impressionism‚ and use of bright colors. But it is only when one digs deeper into his collection that they find a more realistic and subtle approach from the artist. This more traditional technique can be observed in Matisse’s White Plumes. Painted
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