Allison Bell HUM 302 October 21‚ 2012 Egyptian Art and Sculptures Ancient Egyptian art is the painting‚ sculpture‚ architecture and other arts produced by the civilization in the lower Nile Valley from 5000 BC to 300 AD. Ancient Egyptian Art reached a level in painting and sculpting that was highly stylistic and symbolic. A lot of the art that was discovered and saved came from tombs and monuments therefore there is an extreme emphasis on life after death and an emphasis on preserving the
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works are abstract and innovative. They are made of found pieces that could be quite random but through the assemblage Klippel makes his sculptures portray qualities such as balance and structure. Klippel’s works are abstract but not at all random‚ ‘The New McCullochs’s Encyclopaedia of Australian Art’ described‚ “His distinctive‚ abstract wooden and metal sculptures as a unique blend of airy grace and solidity deriving from the discards of industrial society. Derived from disused industrial materials
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David "" Analysis and Structure It is obvious that Michelangelo was meticulous when creating this sculpture. His sculpture‚ David‚ must have been done after studying the human form a great deal. The lines he has used are very natural‚ and though his figure is rather chiseled‚ the lines seem very gentle. Michelangelo has paid special attention to shape. Every ligament‚ muscle and bone seems as though it is alive. I especially noticed the shape of the legs‚ the back of the knees particularly. The muscle
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Ice sculpture is a form of sculpture that uses ice as the raw material. Sculptures from ice can be abstract or realistic and can be functional or purely decorative. Ice sculptures are generally associated with special or extravagant events because of their limited lifetime. The lifetime of a sculpture is determined primarily by the temperature of its environment and thus‚ a sculpture can last from mere minutes to possibly months. There are several ice festivals held around the world‚ hosting competitions
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significant difference between the Archaic Greek sculptures and the Classical Greek sculptures is the poses held by the statues. The Archaic sculptures poses were strictly frontal; their one leg was usually advanced whilst the other leg was drawn behind. Both sides of the body were symmetrical. They also wore the Archaic smile which‚ one may assume was used as a way of making the statuses appear far more humanlike Contrary‚ the Classical sculptures also had a four square shape yet their standing figures
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a cold and overcast day in February and a man sits alone at a park bench‚ at the Odette Sculpture Park. He watches as the river splashes aggressively about‚ caused by the strong wind blowing that day. Perched above him on the top of a hill just a few feet from the road‚ sits a large-scale sculpture called “Salutation”‚ by Ralph Hicks. Standing only 6 feet tall‚ it’s original conception called for the sculpture to have a height 30 feet and be placed at five of the major entryways leading into Toronto
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CheckPoint: Comparison of Three Sculptures Brianna Setzer Art/101 June 20‚ 2014 Kristy Yau CheckPoint: Comparison of Three Sculptures Learning that there were actually different versions of David came as a surprise to me. I am not a fan of art and never expected to be interested in learning about sculpture. The three artists featured in this checkpoint all have a different styles for this same sculpture. I will cover each in an order that seems more logical because in a sense‚ I believe that
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Hailey Brangers Formal Analysis/Interpretation of Sculpture Flint Collins Art History 250 February 5‚ 2015 Menkaure and Khamerernebty‚ Gizeh‚ Egypt‚ Fourth Dynasty‚ ca. 2490-2472 BCE 1. What are the basic features of the work? Is the process used subtractive (such as low or high relief carving) or additive (such as modeling or assemblage)? What is its medium? Describe the sculpture’s dimensions. Can you detect any damage or evidence of restoration? This is a statue of Menkaure and one of his
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Feathered Serpent Sculpture Facing out into the eyes of museum-goers‚ the Aztec feathered serpent sculpture currently on display at the Metropolitan Museum of Art dates from between fifteenth and early sixteenth century. Though the iconographic motif of the feathered serpent is a common and meaningful one in Aztec art‚ the formal elements of this piece communicate an equally strong message. Through deliberate choices in the crafting and facture of this seemingly dense stone sculpture‚ the artist reiterates
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attending Indiana State University‚ one of the first sculptures I took an interest in was the Via Solaris. “Via Solaris‚” Latin for the way or road of the sun. The sculpture is about 20-feet tall and made of bronze and steel. Via Solaris was created by John Van Alstine (b. 1952)‚ an American sculptor living and working in New York State best known for stone and metal abstract sculptures exhibiting exceptional balance and poise. The sculpture is located on the north side of Stalker Hall on the campus
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