"Favourite sculpture" Essays and Research Papers

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    Joan Miro

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    was a painter‚ sculptor‚ and ceramicist. He was born in Barcelona‚ I have family there‚ and he was a really colorful artist‚ using children’s spirit and a manifestation of the Catalan pride. We grow up in our schools learning about his paints and sculptures‚ using his methods and his colors. Miro In may interviews the artist expressed that he doesn’t like the conventional panting methods and that he loved the unconventional painting. At the beginning of his artist life he was promoting the expressionism

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    The Sleeping Hermaphrodite

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    Typically‚ Greek sculptures were focused on their gods. The Veiled and Masked Dancer is a bronze sculpture of a fully clothed woman who is not a god‚ which showed that there were more to the Greeks than just their gods and myths. The movement perceived in this sculpture indicates that the woman was a dancer‚ most likely a professional entertainer. It is different from most Greek statues because

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    A Summary Of Nemiranda

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    our history or where we came from. Sometimes we have more knowledge or we are more attracted about greek mythology that is one of our local legends. For Nemiranda‚as an artist you need to educate someone through visual.Nemiranda likes to create a sculpture home by itself.He immortalized the image of myth philippine mythology it will remind them of the past of our roots of our culture and of being a filipino. The work of art of Nemiranda is a reflection of his own self and his soul. There are many ways

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    Antony Gormley “Still Falling” - Antony Gormley Antony Gormley was born in London in 1950‚ his artistic career has spanned over forty years and some of his best known works include “Field”‚ “Waste Man” and “Still Falling”. The majority of Gormley’s sculptures include the human form‚ he claims this is “an attempt to materialise the place at the other side of appearance where we all live”. Gormley was raised in an upper-class Roman Catholic family; he was the oldest of seven children to a German mother

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    Culture: Ancient Egyptian- Old Kingdom Artist: Unknown Title: False Door Date: Roughly 2400 B.C.E. Media: Limestone Measurements: 61 x 45 3/5 x 4 1/2 in. (154.9 x 115.8 x 11.4 cm) Accession #: 52.22 This relief sculpture serves more of a religious-function that any aesthetic one. Aside from have some minor damage done‚ it is nearly perfectly balanced. On the bottom of the piece are four men; two on each side that mirror each other. They all hold what seem to be spears in one hand and a scepter in

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    Spirituality” According to archaeologists‚ the earliest humans used “art” in primitive forms to depict sacred and religious beliefs‚ dating back thousands of years to the early Neanderthals. From very primitive cave drawings in France to modern iconic sculpture‚ painting and drawing‚ it is safe to assume that we were born with an inherent need to express the inexpressible; that which cannot be spoken‚ described‚ or accurately represented: the ineffable. We as humans define “art” in myriad ways in contemporary

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    back her bow and arrow in preparation for release. Due to its size‚ color‚ and placement this piece is the focal point in the room. Directly across from the statue suspended above the open space and staircase below is Alexander Calder’s Ghost. This sculpture is not well lit and the area on the second floor in which is hangs is an almost empty space that doesn’t have other gallery entrances near it and almost feels closed off. Hung from the ceiling‚ Ghost is a thirty-four foot tall mobile comprised of

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    Gazing into the past we see a wide variety of artwork‚ one in particular is a female figure found within the MIA Museum. This sculpture is made entirely of marble and originated in the Cyclade Islands that are part of Greece. It is exactly 41.3 cm high‚ four cm wide at the top‚ and 10.8 cm wide near the bottom. It has various defined body parts such as the head‚ nose‚ neck‚ chest‚ arms‚ waist‚ legs‚ and feet. The female figure has very clear visual lines across the entire body. These lines help

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    Auguste Rodin - Paper

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    name in Western Sculpture since Michelangelo. His style was both classic and romantic‚ and to his contemporaries it was also revolutionary‚ for although Rodin followed routine closely‚ he presented it exactly as he saw and experienced it‚ and refused to be bound by the artistic conventions of his day. Unlike his contemporary sculptors of the 1870’s and 1880’s‚ Rodin had both a brilliant technique and something to day. It was Rodin’s imaginative modeling that re-established sculpture as exaggeration

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    from my point of view with out outside influences. I was able to ascertain the they were both from different geographical locations but shared a similar heritage. The different geographical locations was based on the clothing and text used in each sculpture. The similar heritage is apparent because of the broad features of both subject. Both works showed great detail in the shape of the human body in the curve of muscles to the nails on their fingers and toes. My initial response The Royal Acquaintances

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