photographs taken by Lorraine Field. These pieces are categorized into self portraits‚ portraitures of landscapes and interior. Internal Differences 1 And 2 are the only pieces in this exhibition that depict a scenario indoors. Internal Differences 1 features Roger Field’s arm chair; internal Difference 2 features the bed Roger Field and Lorraine Field shared. The works Levelled Years 1-4 is another series of self portraits Fields took through the first year after the death of her husband (2013) to
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Meeting Vincent van Gogh changed my life. At least that’s what I tell people when I describe falling in love with museums. I was twelve years old‚ visiting the Detroit Institute of Arts with my grandparents‚ when I locked eyes with van Gogh’s 1887 Self Portrait. I experienced a profound connection with history at that moment: although van Gogh had been dead for over a century‚ here we were‚ face to face. When I reported back to my classmates at the beginning of the following school year‚ I could not believe
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PLOT SUMMARIES OF ELEONORA Eleonora is about an unnamed narrator and his love life. The narrator lives with Eleonora‚ his cousin and his aunt. Their valley is isolated from others and no strangers ever enter it. The narrator only knows Eleonora‚ his aunt and the valley. This valley is named as the valley of the colored grasses and it is described as a paradise of fragrant flowers‚ fantastic trees‚ and a "River of Silence”. They live there together for fifteen years before they realize that love
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Similarly self pity is evident throughout time but is the manifestation of isolation due to an individual’s inability to maintain mental stability. Though written in different periods of T.S. Eliot’s life the poems ’The Love Song of J Alfred Prufrock’‚ ’Portrait of a Lady’ and ’Preludes’ uses a variety of poetic devices to portray these thematic concerns. Through the portrayal of his numerous protagonists Eliot explores the effects of exclusion and its tendency for the individual to feel self pity. In the
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commodification of art. The most prevalent arguments were the debates of aesthetics‚ traditionalists versus the avant-garde. Traditionalists valued realism‚ technique‚ and the use of perspective which was scene in historical paintings and portraits. In comparison‚ avant-garde focused on a deliberate change of style which included impressionism‚ and unnatural use of color. Although‚ neither side of the debate is clear cut. Many traditionalists experimented with the aspects of traditional painting
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analysis‚ the author of the reading suggests several possible interpretations concerning “Double Portrait of Giovanni Arnolfini and his Wife‚” the 1434 oil painting by northern European artist Jan van Eyck. The identity of the couple and the subject matter of the portrait is still shrouded in mystery. The assumption that I made after reading chapter 19 was that Jan van Eyck might have dedicated the portrait to the couple as a testimony or commemoration of their engagement. The quite large‚ elaborate
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Yasumasa Morimura The Man Yasumasa Morimura was born on the 11th of June 1951. Today he is a well-known Japanese artist whom appropriates famous images by incorporating himself into the images. He does so with the firm believe that “all people have a common desire for transformation”. Morimura’ artworks involve maintaining the original image of another place and/or person but replacing the face of a subject with his own. By doing so he is subtly demonstrating to the audience how everything is
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methods of painting. As a portrait-painter‚ he began studying anatomy by dissecting horses and some dogs (Stubbs 12). He had an early curiosity in science and made extensive studies in both human and animal anatomy. He also began teaching anatomy with the surgeon‚ Charles Atkinson at York Hospital as well as perspective at Health Academy (Warner‚
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painting and its meaning with me until the day I graduate. Unlike Orozco’s “Gods of the Modern World” that is abstract with symbolic meaning‚ Rembrandt Van Rijn’s “Self-Portrait” on page 341 is representational. He painted himself as he saw himself. I think it takes a great amount of emotional strength to do a self-portrait. We are our own worst critic. No one sees our flaws as clearly as we do. I admire Rembrandt for including the bags under his eyes‚ the wrinkles on his
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John Doe Professor Jeffrey Oderlin English 1B 22 September 2011 The Enigmatic Meaning They call her “The Enigmatic Woman‚” yet the painting at first glance is quite banal. It looks a lot like any run of the mill portrait with the subject positioned in the center while she sits facing and staring directly at the viewer. Even the colors are boring in this painting with its abundance of earth tones with different mellow shades of faded green‚ brown‚ blue‚ and burnt orange. The picture itself
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