Rear Window DIRECTOR: Alfred Hitchcock YEAR OF PRODUCTION: 1954 COUNTRY: USA LANGUAGE: English Week 1: Discuss the relationship between spectators and cinema in relation to the film style of Rear Window by Alfred Hitchcock. Stam‚ Robert and Roberta Pearson‚ “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism‚” in Deutelbaum and Poague‚ eds‚ A Hitchcock Reader‚ 2nd ed‚ Chichester‚ UK. & Malden‚ MA: Wiley-Blackwell‚ 2009. Alfred Hitchcock’s “Rear
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photography‚ It is because of my admiration of classic Hollywood movies I have decided to recreate Film noir style images that will look like film stills‚ most of them staged‚ models performing and dressed as different characters as expected in Film noir style movies. I see Film noir as stylistic approach to photography‚ it is beautiful and inventive cinematography that is still highly popular within modern film industry. What draws my attention to it is black and white contrast photos with intense shadow
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The film subgenre “Coming-of-Age” has been around since American Graffiti in 1973 and continued to flourish with movies including‚ but not limited to‚ The Breakfast Club (1985) and Almost Famous (2000). These films started off as a way to express the transition from childhood and adulthood‚ while including current issues of the time. For example‚ American Graffiti was able to reflect the time period in which it was made‚ taking issues from the current day. American Graffiti can be described as‚“Taking
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China National Film Museum A museum is the ideal place to get a crash course on a country’s history and culture. This time is about the Chinese cinema; China National Film Museum ( CNFM ). China National Film Museum ( CNFM ) is the world’s largest proffesional film museum. This museum was founded in 2005 to celebrate 100 years of Chinese cinema and opened to the public on February 10‚ 2007. The building’s design reflects the concept of finding balance between film and architecture. The grand exterior
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Film Analysis Holly Cox Adam Deutsch English 225: Introduction to Film August 30‚ 2010 Film Analysis There is so much more to analyzing films than watching a movie. Film analysis is a very complex procedure. “Analysis generally‚ means breaking up the whole to discover the nature‚ function‚ and interrelationships of the parts” (Boggs‚ J. & Petrie‚ D.‚ 2008‚ p. 7). In analyzing a film‚ you must not only analyze the film as a whole‚ but you must also analyze each element that makes up the film
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Possibility of Understanding the Art of Film Titles 1.1. The Power of Film Translation…………………………………………………………………6 1.2. Types and History of Film Translation………………………………………………………...7 1.3. The Invention of Film Titles……………………………………………………………………8 1.4. The Art of Film Tiles……………………………………………………………………………9 1.5. Brief Historical View of the Titles of Cultural Products……………………………………10 1.5.1. The Three Models of Mass Communication……………………………………………..11 1.5.2. The Film Title and the System of Paratext………………………………………………
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The Blue Film An old proverb goes “The past will always come back to haunt you”. Which means‚ that no matter how much you try to hide something from your past it will somehow surface again. It is only a matter of time. This is a very fitting proverb when talking about the short story “The Blue Film”. “The blue film” is a short story about a single evening in the life of a middle aged Europe-an couple. It is a simple chronological story. The novel has a strong marriage and divorcement theme
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that reason‚ the theme of the 2009 Brisbane Film Festival will be Australian Identity in Film – A Retrospective‚ as we hope to explore the ways in which Australian feature films have helped shape the complexities and diversity of Australia’s culture and identity. In particular‚ the festival will explore the diverse representations of homosexuals in Australian film and how this has influenced society’s perception and acceptance. For many years‚ Australian film has formed a consistent stereotype for men;
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this is important to note is; Raging Bull rejects many of these tried and true methods‚ yet still offers an aesthetically exciting alternative to Hollywood’s system. What the film takes from the conventional structure of Hollywood‚ such as classical narration structure‚ continuity‚ and realism‚ seem to offer stability in a film with sharp
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“Films from down under are going‚ well‚ down and under”(Humphries S cited in Kaufman T‚ 2009). This essay will confirm there is a crisis is the Australian Film Industry through exploring the economic‚ political and cultural factors that led to the crisis. The current economic climate and political decisions have had a significant impact on the Australian film industry‚ leading to lower production rates of overseas films in Australia. The internal and external cultural factors will be explored to
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