The Decameron: A Feminist or Misogynist text? Giovanni Boccaccio is one of the leading Italian writers in the 1300s and has been considered as the father of Italian writing style through his composition of one hundred novelle. The Decameron continuously pictures women not as the objects of discussion but as the active producers and interpreters of their actions. Women are portrayed as they are or as they should be; they are shown to be as aggressive as men are while at the same time they can be
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being littered with feminist tropes‚ Jane Campion’s The Piano is not a feminist film. Source Their opinion vs. mine Reliability Interview Magazine‚ Jane Campion by Katherine Dieckmann‚ (January 1992) As the director she hold s a omni-conscious view‚ aware of all possibilities of interpretations. Thus she both agrees and disagrees with me. She is a very reputable considering she both write an directed the film I am studying On The Issues Magazine‚ Is The Piano A Feminist Film? "Yes" by Rebecco
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Daniel Dunson Reading and Writing Art Criticism Meta-paper April‚ 2011 Looking at Blackness with New Eyes In 1995 feminist‚ author‚ racial theorist‚ professor and theorist *bell hooks interviewed the acclaimed artist Carrie Mae Weems for her published book‚ Art on My Mind: Visual Politics. In bell hooks’ interview with Carrie Mae Weems‚ a question is raised and continues to be raised throughout their discussion: Can black images be viewed transcendently‚ or is the viewer
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There is no doubting the fact that eating disorders contribute to a substantial impact on one’s mental and physical health. This theme is delineated in the memoir entitled Unbearable Lightness‚ written by Portia De Rossi. In the text‚ Rossi exemplifies the everlasting pain as a result of her eating disorder though the symbol of her clothes in relation to her deepest insecurities. In summary‚ the author’s utilization of symbolism in order to portray the theme of eating disorders can destroy one’s
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Feminist Theory http://fty.sagepub.com Exposing the fallacies of anti-porn feminism Laurie Shrage Feminist Theory 2005; 6; 45 DOI: 10.1177/1464700105050226 The online version of this article can be found at: http://fty.sagepub.com/cgi/content/abstract/6/1/45 Published by: http://www.sagepublications.com Additional services and information for Feminist Theory can be found at: Email Alerts: http://fty.sagepub.com/cgi/alerts Subscriptions: http://fty.sagepub.com/subscriptions Reprints: http://www
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FEMINIST READER-RESPONSE OF “KING LEAR” Shakespeare’s King Lear is a deeply sad tale of a king who gives up his power and slowly goes crazy. His two oldest daughters‚ Goneril and Regan‚ each receive half the kingdom from him‚ but it soon becomes apparent that half is not enough for either of them. Everybody in this play is out to get everybody else‚ and everybody has a hidden agenda. However‚ as the drama ensues‚ the audience realizes that the women‚ Goneril and Regan‚ are really
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of Shakespeare. Among the shinning characters of the plays‚ two most attractive women characters are most popular‚ Ophelia and Portia. For a long time‚ people consider the tragedy of Ophelia is because the “crulty” of Hamlet(Schlegel‚ 1973) and the happy ending of Portia is due to her intelligence. While no matter it’s the crulty of Hamlet or it’s the intelligence of Portia‚ the results of the two fair ladies come up with a premise: they live in different environments. Many criticists don’t agree
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ways. She seems to have multiple personalities‚ and it is very difficult for one to conclude whether she is kind or cruel. For example‚ she could be said to be prejudiced and sly‚ while also very caring. Portia is quick to judge others on appearances and first impressions. In scene II‚ when Portia is discussing her suitors with Nerissa‚ she explains all of the traits she doesn’t like about each of them. She even suggests placing a glass of wine on one of the incorrect caskets; so that the German suitor
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Since its publication in 1981‚ Joy Kogawa’s Obasan has assumed an important place in Canadian literature and in the broadly-defined‚ Asian-American literary canon. Reviewers immediately heralded the novel for its poetic force and its moving portrayal of an often-ignored aspect of Canadian and American history. Since then‚ critics have expanded upon this initial commentary to examine more closely the themes and images in Kogawa’s work. Critical attention has focused on the difficulties and ambiguities
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"I Wandered Lonely as a Cloud" (also commonly known as "Daffodils"[2]) is a lyric poem by William Wordsworth. It was inspired by an event on 15 April 1802‚ in which Wordsworth and his sister Dorothy came across a "long belt" of daffodils. Written some time between 1804 and 1807 (in 1804 by Wordsworth’s own account)‚[3] it was first published in 1807 in Poems in Two Volumes‚ and a revised versionwas published in 1815.[4] It is written in six-line stanzas with an ababcc rhyme scheme‚ like the Venus
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