Feminist Theory‚ the Body‚ and the Disabled Figure The focus of this essay was on how the female body and the disabled body are seen as inferior in society. This reading really made me realize how we view disabled and female bodies in our society‚ and how we typically look the disabled so differently. I also thought about how often people so easily overlook the struggles that many disabled bodies have to deal with‚ like disabled women who want to have children or public facilities not having wheelchair
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CHAPTER 1: Auteur theory in the context of Film theory Although the term auteur dates back to the 1920s in the theoretical writings of French film critics and directors of the silent era‚ it is worth pointing out that in Germany‚ as early as 1913‚ the term ‘author’s film (Autorenfilm) had already been coined (Hayward‚2000: 20). Hayward believed that the Autorenfilm emerged partly as a response to the French Film d’Art (art cinema) movement‚ which began in 1908. Film d’Art was particularly successful
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for his film before adapting it into the novella of the same name. Because of this rather peculiar order‚ the similarities between the two are very strong‚ something that is not always the case with books and their film adaptations. Though there a few stylistic differences between the novella and the film‚ the two mediums of storytelling both remain quite true to the central storyline. The noir genre was an essential piece to the story of The Third Man‚ and both the novella and the film were able
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Reflection on The Shoelace Film - Anna Stewart 1. What is framing‚ composition and the rule of thirds and why should I apply this knowledge to my own film making? Choose one film still of your choice to show your understanding of these film concepts. The Rule of thirds is where the focuses of the scene are lined with the guide lines and their intersection points. The use of the rule of thirds draws the viewers eyes to see all parts of the composition. When it comes to film composition refers to
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being littered with feminist tropes‚ Jane Campion’s The Piano is not a feminist film. Source Their opinion vs. mine Reliability Interview Magazine‚ Jane Campion by Katherine Dieckmann‚ (January 1992) As the director she hold s a omni-conscious view‚ aware of all possibilities of interpretations. Thus she both agrees and disagrees with me. She is a very reputable considering she both write an directed the film I am studying On The Issues Magazine‚ Is The Piano A Feminist Film? "Yes" by Rebecco
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Matrix (1999). One of the first major differences between the films is the amount of close-ups that are involved in The Matrix and Metropolis. Metropolis consists of very few close-ups and an abundance of wide shots. The wide shots linger‚ giving the audience the ability to see everything happening within that frame composition instead of cutting away to a new angle. One scene in particular stands out with close-ups from this film. While Rotwang is in his lab working on the Machine Man‚ various
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Explain why the auteurist theory has become so important to film analysis. What are some arguments against auteurist theory? How does auteurist theory affect the way that films are marketed? How does it affect the way that films are analyzed by critics and audiences? Please use an actual film/director/marketing campaign to illustrate your points. The auteur theory‚ when applied to directing a film‚ infers that the director is indeed the author of the film‚ imprinting it with his personal
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Feminist and Lesbian Film FILMS STUDIED: Mädchen in Uniform (Children in Uniform) Germany‚ 1931‚ Directed by Leontine Sagan‚ Show Me Love (Sweden‚ 1998)‚ Directed by Lukas Moodysson The cycle of free expression followed by total persecution experienced by members of the homosexual community as a whole‚ before and post World War 2‚ was a symbolic and strengthening experience for Lesbian and Feminist film makers alike. It is now a time of freedom in Europe‚ where filmmakers are establishing
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If there was one award the film Mad Max: Fury Road deserved at the 2016 Oscars‚ it was Costume Design. Costume designer Jennifer Beavan did an exemplary job of creating a wardrobe for each of the characters that wholly encompassed the gritty‚ war-torn world they inhabited. Not only were these costumes aesthetically pleasing‚ but each one told a unique story about its owner. It is especially important to take note of the costumes worn by the diverse variety of female characters‚ both leading
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mental models are well developed and reasonably supported by evidence)‚ the film achieves a high degree of “reality...” (Branigan‚ 2013) People watch; it’s what they do naturally and they enjoy doing it‚ and according to theorists Linda Williams and Laura Mulvey‚ it is that visual appetite and the pleasure found in its fulfilment that leads to a natural viewer engagement with the camera‚ and its ability to observe‚ in film. This viewer engagement and its companion
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