eighteenth and nineteenth century‚ where women writers encompassed the ‘female’ literary tradition of the time; a convenient label accorded them to contain them in‚ while simultaneously refusing any kind of radical edge to their writing. Today after many feminist critiques of their works we see Jane Austen as more than just a decorous spinster; she was a subversive and a complex thinker‚ Ann Radcliffe wrote more than just ‘ghost stories’‚ Elizabeth Barrett Browning was more than just an opium addicted invalid
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Auteur theory is one of the most argued theories in relation to film. It suggests that a director can have so much control and influence on varying aspects of a film‚ that they are considered to be the “author” of that film‚ even more so than the screenwriter themselves. Directors are often only considered to be auteurs if there is a similar theme or style in relation to any aspect of film across several of their films. In Theories of Authorship: A Reader’ (1981) Caughie stresses the use of a director’s
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bringing about gender equality. Opposition: No feminism(s) has NOT served women’s interest and is limited in its role in bringing about gender equality. Required readings: Ostrov‚ Susan and Jennifer Fleischner (eds). “Introduction” pages 1-17 in Feminist nightmares: women at odds: feminism and the problem of sisterhood / edited by Susan Ostrov Weisser and Boulder‚ Colo.: NetLibrary‚ Inc.‚ [electronic resource] 2000. Green‚ Joyce. 2007. “Taking Account of Indigenous Feminism”‚ chapter 1 in Making
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(1967-1977) which is beaming with energy and the intense spirit of the movement that drastically altered American society. The editors Rosalyn Baxandall and Linda Gordon have done an incredible job establishing the roots and depth of the second-wave feminist movement. By collecting all the materials into one volume‚ which were once spread thin among private collections‚ university archives and out of print anthologies and journals the editors show a diverse movement. It has reminded me how far we have
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To what extent can the auteur theory be applied successfully to the work of Peter Jackson? Is there evidence of a characteristic authorial signature and if so what is it? To apply the term ‘auteur’ to a director who has openly claimed “I don’t quite know what an auteur is.” may seem nonsensical‚ but there is no denying that the work of Peter Jackson has proven him to be deemed an auteur. From his origins in amateur ‘splatstick’‚ Jackson’s stylistic and thematic traits have remained a constant in
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orientation of her sexual body. The use of these sources in the article support’s Aura Schussler’s explanation on the principles of radical feminism. The use of such key thinkers also provides the authors article with authority and great credibility as the theories and works of Foucault and Cornell are largely recognized in the in the fields of sociology‚ philosophy and humanities. For that reason‚ the use of credible sources in an article functions to help cement the explanation and result of an argument
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usefully exemplify her attempt to demystify the female form. In the following pages‚ I investigate Atwood’s treatment of the mind/body dualism and analyse the ways in which she responds to‚ and resists‚ its destructive effects. Using contemporary theory‚ moreover‚ I show how Atwood deals with the concept of female space‚ as well as the ‘space’ of the female body itself. I also consider Atwood’s representation of the female appetite‚ taking into account its relationship to power and identity‚ and
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considered a single doctrine in that all feminists subscribe to a range of ‘common ground’ beliefs‚ such as the existence of a patriarchal society‚ and the desire to change gender inequalities. Then again‚ it can be argued that feminism is characterised more by disagreement than consensus‚ as three broad traditions: liberal feminism‚ Marxist or socialist feminism‚ and radical feminism‚ which often contain rival tendencies‚ are encompassed within each core feminist theme. This essay will argue that‚ despite
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Feminism Essay Feminism examines society particularly from the viewpoint of women‚ and argues that mainstream sociology has been focused on the concerns of men‚ and failed to consider the unequal position of women. It is a conflict theory‚ and the basic assumption is that women suffer certain injustices on account of their sex. There have been two waves of feminism over the past 100 years. The first wave was in the early 1900’s‚ and was women protesting for basic legal and political rights to
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research sample on 83 women with feminist subjectivity. During the process of reading the book I have endeavoured an understanding of class and gender‚ the social and political context which can influence experience of being working class and gender both shape identities. In this essay I will explore how the culture and identities of the women in the book are somewhat evolving in the due course of neo liberalism however‚ many still fail to see themselves as feminist or strong independent women. They
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