http://www.iep.utm.edu/fem-stan/ Feminist Standpoint Theory Feminist standpoint theorists make three principal claims: (1) Knowledge is socially situated. (2) Marginalized groups are socially situated in ways that make it more possible for them to be aware of things and ask questions than it is for the non-marginalized. (3) Research‚ particularly that focused on power relations‚ should begin with the lives of the marginalized. Feminist standpoint theory‚ then‚ makes a contribution to epistemology
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Susie Orbach’s stance on the rising American issue on obesity within her essay “Fat Is a Feminist Issue” can be similarly related to David Zinczenko’s stance in his essay “Don’t Blame the Eater.” In fact‚ she claims just that when writing‚ “A feminist perspective to the problem of women’s compulsive eating is essential if we are to move on from the ineffective blame-the-victim approach” (Orbach 448). In this quote she blatantly informs the reader that blaming the eater is not the correct approach
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Feminist theorists Camille Paglia and Foucault give opposing views on the topic of women and their sexuality as they addressed topics such as homosexuality and pornography as ways of expressing sexual desires and the role a woman plays in society in reference to her sexuality. Camille Paglia‚ a graduate of the University of Arts in Philadelphia‚ America‚ has strong feminist views in relation to women’s sexual preferences. Paglia is a bi-sexual female‚ who came from an Italian‚ Catholic household
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need for change and women’s independence. However‚ feminism is a broad term covering several different types‚ such as liberal‚ radical‚ and Marxist. Not all feminists believe the same and their ideas vary. Each of these approaches the family in a different way and offers different solutions to the problem of gender inequality. Liberal feminists offer a hopeful account of family life. They see social changes that have been made in equality for women. They believe that not only have women gained improvements
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many to distinguish the facts from the opinions‚ as well as misconceptions. One of the topics to be blown into the spotlight in the past few years has been feminism‚ with what at first glance appears to be a dichotomy- a person is either a feminist or an anti-feminist. The battle calls into question what feminism really is‚ considering its diversity in regards to its followers‚ and the reason why the "meninist" culture has sprung. There are three
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application of the feminist translation theory will be introduced briefly. Then the three theory foundation and their strength and weakness will be summarized generally in this paper. My personal view about the feminist translation theory and feminism will be the ending. Key words：Feminist translation theory; Feminism; Sherry Simon；Luise Von Flotow；Barbara Godard； 1. Introduction 1.1 Brief introduction of the background: Feminist translation rose
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feminism and eventually produced robust movements to end violence against women and children as well as to end pornography‚ which radical feminists saw as anti-woman propaganda and a source of sexual violence. This collided with but did not merge with the demands of a growing conservative movement to police sex more rigorously and also incited opposition within the feminist movement as some activists were concerned about a return to state censorship and the intensification of an anti-sex backlash for women
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constructed to exclude women and include certain men. While contemporary feminist movements have addressed these exclusions‚ there were many early struggles for the transnational women’s movement. Using readings from Grewal and Kaplan’s textbook‚ An Introduction to Women’s Studies: Gender in a Transnational World‚ Leila Rupp’s sixth chapter‚ class notes‚ and discussions‚ I analyze national identities and transnational feminist perspectives on the private/public dichotomy in relation to citizenship
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“I would argue that feminist film studies is not only still alive and well‚ but has‚ in fact‚ become much more heterogeneous‚ dynamic‚ and open in its scope‚ encompassing not just film analysis but also television and new media studies…” says Karen Hollinger from Feminist Film Studies (Hollinger 19). Film’s have definitely grown and expanded from the years pass. Women are now starting to be given roles other than those to please the male eye such as the girlfriend‚ secretary‚ receptionist‚ or mother
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being littered with feminist tropes‚ Jane Campion’s The Piano is not a feminist film. Source Their opinion vs. mine Reliability Interview Magazine‚ Jane Campion by Katherine Dieckmann‚ (January 1992) As the director she hold s a omni-conscious view‚ aware of all possibilities of interpretations. Thus she both agrees and disagrees with me. She is a very reputable considering she both write an directed the film I am studying On The Issues Magazine‚ Is The Piano A Feminist Film? "Yes" by Rebecco
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