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    Adla Alsayid Period 4 02/16/16 Dystopia Crucial elements in science fiction are what helps the spectator understand the controversies that are constantly seen in today’s world. Where socio-economic classes define who we are‚ where destruction and dehumanization are seen as part of our society‚ where childhoods and hopes are taken away every day. It makes the reader wonder‚ are we living in a dystopia like condition? Where every page‚ movie‚ article‚ or magazine‚ is just a simple broken reflection

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    |Femininity in the Male Dominated World of Science Fiction | | | | | |Christel August Haygood | |Dr. Loretta Burns | |ENGL 400.01

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    Does Science Fiction support or subvert patriarchy (or neither or both)? According to the Oxford English Dictionary‚ patriarchy is the ‘predominance of men in positions of power and influences in society‚ with cultural values and norms being seen as favouring men.’1 This essay will discuss patriarchy and science fiction’s treatment of it. This will be done by examining the treatment of gender and sexuality in science fiction texts such as Ursula Le Guin’s The Left Hand of Darkness and Joe Haldeman’s

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    ‘Nanook of the North seems poised between documentary and fiction…it marks a moment before the distinction between fiction and documentary is set.’ (William Rothman) by Anuradha Chowdhary Email: anuradha_chowdhary16@hotmail.com Address: Manna Ash House‚ 8-20 Pocock Street‚ London- SE10BW. Looking back to the early development‚ documentary was called to be crucial in the phase of cinema

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    drastic decision to get revenge on his son’s assassin after he is murdered. In Quentin Tarantino’s “Pulp Fiction” we see similar themes of violence‚ vengeance‚ and injustice told with the choices of different characters. The conflict changes with the different actions and motivations of the protagonists‚ showing different intensities and motives through the stories. Marsellus Wallace in Pulp Fiction takes revenge on rapist Zeth for purely selfish reasons; where Matt Fowler in Killings takes revenge

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    one‚ teens can often relate to dystopian fiction. In the passage “Breaking Down the ‘System’” it states “The system is asking a lot from teens and not giving them much respect in return so it’s no wonder that stories about that system exploding‚ breaking down under it’s own contradictions‚ or simply being overrun by zombies are also beloved of teenagers”. This quote is explaining how the “system” is not showing respect to teens like how in dystopian fiction there is not much respect shown to the characters

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    http://www.slideshare.net/kbbandrowski/introduction­to­a­detective­story­2007  http://holmesismyfriend.blogspot.ca/2015/01/the­six­elements­of­detective­fiction.html  http://gaslight.mtroyal.ca/vandine.htm      1. The detective must be memorable    1. The detective must be memorable.  Fictional detectives have to be both clever and a bit out of the ordinary that sets them apart  from the crowd.    2. The crime must be significant.  Detective novels are constructed around crimes that are worth the detective’s and the 

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    She met the requirements for having a proper building‚ which her husband built‚ and having six children of school age‚ the sixth turning six a month after school started. The analysis is based on the theory of David Lodge and his work “The art of fiction”‚ chapters one‚ which is about the beginning in novels; chapter six‚ which is about the writer’s and characters’ point of view and reader’s perspective; and finally chapter twelve‚ which is called “The sense of place”. Development of the topics

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    Joe thought he heard a mysterious sound.MMMMMMMMMM‚though Joe just thought it was just the heater.However there was a strange smell of rot flowing through the house as it soon started to sicken Him.All of the sudden‚the humming stopped all at once‚however the smell got closer. “What is that?” Joe thought. Soon joe Started to get frightened‚and he remembered that old movie “the grudge” and got up from his bed.Joe Stared and walked slowly and quietly towards the door.Scared‚Joe Creaked open the door

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    Alfred Hitchcock’s Rear Window continues and expands on traditional themes of the Detective Fiction Genre. In 1841‚ Murder in the Rue Morgue by Edgar Allan Poe broke the traditional character constraints of the Crime Fiction Genre‚ by introducing a new type of lead detective figure. The ideal detective figure encompassed traits of superiority‚ intelligence‚ wit and a keen sense for observation. The lead detective figure is a sophisticated character that is not bound to the constrictions and limitations

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