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    Violence In Pulp Fiction

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    Quentin Tarantino has established himself as the quintessential neo-noir film maker since the passing of Stanley Kubrick. Kubrick’s specialty was creating surrealist imagery through limited dialogue and scenes filmed in “real time”. Tarantino has transposed the film making ideologies of Kubrick by adding complex dialogue and grotesque violence. Both men captured the film making styles of their era’s with postmodern neo-noir visuals as well as dialogue that spoke to the culture of their audience.

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    DRAMA For many decades‚ drama has been in our world. It gives us feelings‚ emotions‚ morality and sometimes quotes. What is drama exactly? Is it a play? An action? Or just an entertainment? Hamilton Carole in his article “the study of drama” defined Drama to be a representational art‚ a visible and audible narrative presenting virtual‚ fictional characters within a virtual‚ fictional universe. Also he stated “Dramatic realizations may pretend to approximate reality or else stubbornly defy‚ distort

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    literature | | Chuck Palahniuk (on transgressive fiction)1 “The most successful books now serve us as sedatives‚ confirming the values and worldviews their readers already hold. They’re the books we read as sleeping pills at bedtime. When was the last book banned? Oh‚ how I miss the great book bonfires of my Christian youth! That’s when books had some power! When they had to be burned like witches.” In all its ambiguity‚ transgressive fiction is a genre of selective taste.  This sub genre within

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    military discipline and negotiation proved to be very valuable tools. The Indians respected him and while he was in charge of Jamestown was melting pot that brought the knowledge of two very different civilizations together. As in every great love story there has to be a dramatic display of love between the two main characters; therefore‚ at the end of the movie Pocahontas saves John Smith from the wrath of her vengeful father. Sorry Disney but it didn’t quite happen that way. John Smith was taken

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    Tarantino In Pulp Fiction

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    One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing

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    Book Report-Fiction

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    Debby Shum 9B (12) Book report-Fiction Pre-reading task: Title: Flour Babies Author: Anne Fine Publisher: The Penguin Group Year of Publication: 1992 Post-reading Task: My comments: My favorite character is Simon Martin because he was willing to solve problems and found the final answer. He was mature and self-disciplined‚ always helping others‚ considerate and thoughtful to others. We should learn from him. The most interesting and memorable scene in the book is Simon hurdled

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    7 Elements of Fiction

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    SEVEN ELEMENTS OF FICTION 1) PLOT - Action which occurs -- 5 ingredients plotted as a witch’s hat 1) Exposition (introduction) - background information 2) Rising Action / Complications - conflicts are presented 3) Climax - high point of the action 4) Falling Action - lessens the intensity 5) Denouement (conclusion) - pulls the story together ["They lived happily every after"] NOTE: NOT ALL STORIES CONTAIN ALL 5 INGREDIENTS 2) SETTING - Time‚ Place‚ Customs

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    Harris Crime Fiction

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    The novel of Harris stands as a signpost of current horror fiction in the development of the serial killer as an antihero. With the creation of arguably the best fictional criminals ever‚ Harris makes reference to his habit of making use of real-life serial murderers and forensics to establish a practical subgenre of the crime thriller. The tones of the chapters vary here‚ which resulted in a diverse and uneven read. The conversation of Lecter discloses his penchant for psychology and the coaching

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    The Fiction that written by Edward Branigan have a deep discussion about what define a fiction and characters it obtains. At the beginning of the essay‚ the fiction is not conceived by lies. The fictions are created by imaginary and association which could be narrative or nonnarrative. The fiction have references related to real world‚ while lies are words that created deliberately for deceiving. The reader of the fictions would have connected the contents with the real world on the basis of the

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    Science Fiction Disaster

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    Science fiction films can tell a lot about how Americans think about the environment and the entanglements between them. Science Fiction and disaster films are not a unique phenomena in American cinema. These films are also in cultures that produce movies. Japan would be one of these cultures with the films like Godzilla and The Sinking of Japan. Movies provide an insight into what these people fear while also giving commentary as to what people think of the world. Ever since the 1950’s Science fiction

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