1. Figurative Language: I-) Metaphors: *The storm of grief: If someone has a storm of grief‚ they cry loudly‚ uncontrollably and for a long time. *Physical exhaustion that haunted her body: Here the writer is trying to say that the exhaustion was all over her body. *Breath of the rain: It means that you can feel the rain. *Monstrous joy: Here it is meant that the joy was so strong that it seized her body. (The qualities of a monster) ıı-) there aren’t any idioms in this text. ııı-) Symbols:
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past morale and actions. Hardy and Remarque both employ diction and figurative language to demonstrate war’s futile and impractical effect on all soldiers’ lives. Erich Maria Remarque uses detailed
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a play that will make a viewer think deeply and consider things about life that they may have not considered before. And not only does the playwright delve into these themes‚ but he does it in such an innovative way. Lin-Manuel Miranda uses figurative language and
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The song "Roar" by McKee‚ Bonnie Leigh/ Martin Max/ Gottwald‚Lucasz/Perry‚Katy/ and Walter Henry shows the viewer a great amount of figurative language‚ imagery‚ Structure‚ tone‚ and theme. The lyrics have a defining meaning about with an inspirational message about being strong and independent. . The imagery in the song reflects how independent and confident you really are. Katy describes to us about her struggle of staying quiet "I used to bite my tongue and hold my breath" hoping to make everything
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hair-raising‚ scary story “ The Hound” has the reader on their toes wondering what might happen next. The author exemplifies how two men go into a life of grave robbing‚ which turns out to be the worst mistake of their lives. Lovecraft uses imagery‚ figurative language and setting to make the story more supernatural. When Lovecraft says “I alone know why‚ and such is my knowledge that I am about to blow out my brains for fear I shall be mangled in the say way.” He is able to give us an image in our minds
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Figurative Language versus Literal Language Maurice Mayo Sonja Sheffield Critical Thinking 1/25/13 It is important for one who speaks figuratively to take in consideration the audience might not be able to fully follow or understand them completely. Although figurative language can be entertaining‚ it can be interpreted in a way other that what was intended. Therefore‚ it will need some explanation. The word “idiom” is an expression whose meaning is not literally what’s said‚ but it is
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The language is the most important means of communication. It is necessary to be able to communicate not only in your own language but also in a foreign language. That is why people learn languages. The most important language of all is our mother tongue. We learn it from very young and it stay with us until we die. When we want to learn a new language‚ we must know our own very well. There are many different people and everyone learns a foreign language in his own way. For some people to learn
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long..." Mirrors can not look at other objects because looking is a characteristic of a living object. Mirrors can only reflect what can be viewed in the background of an area. In this instance‚ the reader learned (though interpretation of the figurative language) that the mirror reflects its ’feelings’ for the objects that it can and can not ’see.’ Without this personification‚ we would not understand the mirror’s true feelings‚ and the one would not be able to truly interpret the theme of appearance
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Michel-Guillaume Jean de Crevecoeur‚ author of What is an American‚ effectively uses figurative language to emphasize the contrasts between an American life from his European life. He uses various similes and metaphors in order to help the reader understand what an American truly is. On lines 19 through 23‚ the author uses a simile to compare the European life to “useless plants” that are mowed down by “want‚ hunger‚ and war.” He later suggests that by transplanting these plants and giving them “vegetative
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People ridicule others for their mourning of their loved ones after death. This human aspect is highlighted in Shakespeare’s sonnet LXXI. It is through diction‚ sound devices‚ irony‚ and figurative language that Shakespeare reveals his outlook on death and grief. Starting in the 1st line it is told to beloved not to “mourn” (1) for the speaker when they have died. This establishes that the speaker does not want to be remembered while simultaneously implying a remembrance of them. It sets a strange
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