victory he remains behind to help his younger sister. This same sense of responsibility to the ethical is evident‚ when Michele breaks on oath to his father‚ even after the temptation of a new bike is before him‚ and returns to help the hopeless Filippo. A character who is of coarse being incarcerated by the adults of Aqua Traverse and the greed that rages within them. The tired‚ weary adults of Aqua Traverse provide a sublime example of how greed can get in the way of greater morality. In their
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Michele’s naivety originates from his juvenile youth. He is inexperienced with the true nature of the real world. In compensation he uses his imagination to justify reasons. Initially Michele exhibits small snippets of maturity- protecting his sister‚ Filippo and Barbara. As the novel progresses Michele morphs into a more responsible person. He is able to make decisions well aware of the disastrous consequences. Michele behaves compassionately towards his sister Maria. He constantly protects her despite
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idea that people’s ability to be evil is also enhanced by people‚ especially men‚ feeling the need to prove themselves‚ to be brave and strong and powerful. This idea is demonstrated when Sergio is leading a meeting between the adults who captured Filippo and they are talking about what they should do. It is a pivotal scene because it is when Michele finally discovers what his father has to do with the boy in the hole. Fillipo’s mother appears on the television issuing a plea to Filippo’s captors to
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While playing in the countryside‚ ten-year-old Michele discovers Filippo‚ a boy chained to the ground at the bottom of a hole‚ being held for ransom. Filippo is confused and apathetic‚ and talks very little. The kidnappers have told him that he is dead and he believes it. Filippo appears to suffer from cotard delusion. He has been kept in the dark for months and therefore cannot stand much light now. Michele visits him regularly
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Practice Essay If all my friends were to jump off a bridge‚ I wouldn’t follow. Id be at the bottom to catch them when they fall. This quote reflects friendship and loyalty in an almost perfect way and never has a quote been falser than in Aqua Traverse where friendship and loyalty are non-existent for the residents. In Niccolo Ammaniti’s thriller novel I’m not scared the characters that are portrayed are shown to be Un-loyal and some of them worst friends Imaginable. The children inhabitants of
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even though he feared of not wanting to do the forfeit. Paragraph 2 As Michele learns more about Filippo Carducci‚ Michele’s nightmares shift into reality. Michele’s discovery of the boy in the hole and what to do is the most severe test of his moral character. Even when Michele knows he is right to be afraid‚ he is compelled to act by his sense of moral obligation. He knows he “must go” to see Filippo after he hears Filippo’s mothers declaration of love on the television‚ even though he “was scared”
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I’m Not Scared: Chapter Questions Chapter 1 pp. 1-41 1. Acqua Traverse has a very farm like setting‚ with a heap of livestock and things such a vegetables growing. It was a countryside setting. Acqua Traverse is very desolate during the day‚ only the children venture outside as it is summer and is extremely hot. The adults stay inside during the day to escape the heat. It seems as if most people in Acqua Traverse know each other as well. I feel as if Acqua Traverse is your typical countryside
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“I must pluck up the courage and look”. Although Michele experiences fear‚ he never lets his fear override his moral convictions. Discuss. In Southern Italy in 1978‚ Niccolo Ammaniti’s I’m Not Scared depicts a sense of Michele’s ethical struggles and steady move towards good in the face of evil. Through experiences‚ some people’s values through the book are disintegrated through fear‚ whereas others‚ such as Michele’s rose above it‚ because of his concern for others and loyalty. Michele manages
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of Sandro Botticelli’s artistic relations is necessary. 	Botticelli was born in Florence Italy (1445-1510) and worked as an apprentice to a goldsmith early in his career. He then served as an apprentice to the painter Fra Fillippo Lippi. After working with Lippi‚ Botticelli developed his sense of line working with Andrea del Verrocchio. By 1470 he had his own workshop‚ where he spent most of his time producing pieces for the Medici family. It was through the Medici family that Botticelli was influenced
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through his early childhood and then went on to be trained as a goldsmith until his twenties when he began to paint. We do know‚ however‚ that Botticelli apprenticed in the workshop of an artist by the name of Filippo Lippi. In 1467‚ he was left by his master in Florence and apparently joined artistic careers with Verrocchio (Angelis‚ 3). After returning to his family for a short period of time‚ as indicated by tax
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