Artist from the Renaissance Bernardo Rossellino (1409-64)‚ born probably in Florence. He worked chiefly as an architect and was responsible for restorations of the Church of San Francesco in Assisi and many churches and palaces in Rome‚ Siena‚ Florence‚ and other cities. His most famous work is the tomb (begun 1444) of the Florentine historian Leonardo Bruni in the Church of Santa Croce in Florence. As a young man he was the apprentice and collaborator of Leone Battista Alberti‚ from whose sketches
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The Renaissance time period had a similar focus on religion as well as creating paintings with more of a realistic appearance. At the beginning of the Renaissance‚ Filippo Brunelleschi discovered a new method in creating art with a three-dimensional view called linear perspective. The process spread throughout Italy‚ and many artist were heavily influenced by this style of painting during the time period. This method
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opposite. - Most members were veterans of World War I and had grown cynical of humanity after seeing what men were capable of doing to each other on the battlefields of Europe. -most notable exponent‚ Marcel Duchamp Futurism - led by Italian poet‚ Filippo Marinetti * espoused a love of speed‚ technology and violence - painters made the rhythm of their repetitions of lines. - was presented as a modernist movement celebrating the technological‚ future era Surrealism -depiction of the dream and
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Jonathan Estes page 6-8‚ Encouraging Sustainable Behavior: Psychology and the Environment edited by Hans C.M. van Trijp page 3-4‚ Design for Environment as a Tool for the Development of a Sustainable Supply Chain by Bevilacqua‚ MaurizioCiarapica‚Filippo Emanuele Giacchetta‚ Giancarlo‚ pg 147‚ Social marketing: A pathway to consumption reduction? Ken Peattie‚ Sue Peattie. Pg. 262-264‚ Product‚ Price‚ Place and Promotion) into 4C’s (Evolution of sustainability as marketing strategy: Beginning of new
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Analyzing a Stunning Painting: Botticelli’s “The Birth of Venus” Mythology has been part of the people for a long time now. People have adopted stories that make it possible to enlighten on how some aspects used to be in the past. Myths are aspects that form part of every culture‚ and are mostly used to give a meaning to varying issues. Since the inception of art‚ artists have developed the tendency of being influenced by myths in the development of varied artworks. To some extent‚ the artworks have
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families 2. Cosimo de Medici became “banker to the Pope‚” put the Medici bank “on the map” 3. Cosimo de Medici was the patron for the Construction of the Basilica of Santa Maria del Fiore‚ which featured the largest dome in the world. 4. Filippo Brunelleschi was the chief architect Il Duomo‚ the dome of Florence’s cathedral 5. Lorenzo de Medici
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Fanny Cerrito. Taglioni retired from performing in 1847 and later died in Mareseille on April 22‚ 1884. La syliphide is a romantic ballet that was separated into two acts. There are two versions of this ballet the original one is choreographed by Filippo Taglioni in 1832. The second verison was choreographed by August Bournoville. The Bourneville’s version is the only ballet that survived making it the one of the oldest ballets that survived. The Taglioni version was created to showcase his daughter’s
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The Renaissance From the fall of the Holy Roman Empire to there was a dark age in Europe where all technology and thinking stopped. Europe was a battleground for feudal lords and their knights trying to control the surrounding territories. The dark ages started to end when Pope Urban the 2nd called for the crusades of the holy lands and the city of Jerusalem. The renaissance began in Italy‚ and spreading to the rest of Europe by the 16th century‚ its influence was felt in literature‚ philosophy
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killed while others kept on spreading. Houses where the plague has got into were nailed up and if a person died there‚ he had to be buried there. Numerous roads and highways were guarded to limit traveling from one place to another. In Doc 6‚ Giovan Filippo had a motto for the plague. The motto being‚
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possible. Supporting this notion‚ he kept learning from his endless studies and his paintings were so natural‚ realistic and life-like. Masaccio was strongly influenced by the architect Filippo and the sculptor Donatello‚ his contemporaries in Florence‚ and followed their steps as far as posible. From Filippo Brunelleschi he learnt the knowledge of mathematical proportion that was so important to his studies of scientific perspective. From Donatello he learnt the knowledge of classical art that
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