that exist within the “teen world”. The representation of these characters is usually extreme‚ meaning that the viewer instantly recognises the stereotype before the character is formally introduced. While these stereotypes provide comedic value to a film produced for a mainstream audience‚ it also makes the audience think about themselves and how their personality fits into the stereotypes presented. Using research from key audience theories and textual analyses
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RELATED FILM To further strength this study the researchers reviewed some films having relation to the present and these are as follows. “Harana” a documentary film directed by Benito Bautista. Featuring‚ Florante Aguilar‚ Celestino Aniel‚ Romeo Bergunio and Felipe Alonzo. Florante‚ a classically trained guitarist return to the Philippines after 12 years of absence. During his stay he rediscover the music of harana. A long forgotten tradition of Filipino serenading a woman their love. In
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Recording 101: Film Scores! Did you notice that background music playing when you are watching Harry Potter? How about the songs they sing in the Lion King? Nobody could ever miss the Star Wars theme at the beginning of each movie! The music you hear in the background is the film score and multiple scores create the soundtrack. This music is incredibly important in the movie as it adds mood‚ setting and drama. According to Steven Spielberg‚ films without music are “dry and lifeless.” Have you ever
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Grace Tobin American History Through Film Film Review April 29‚ 2014 Fight Club‚ a 1999 dark comedic film‚ finds originality in it’s celebration of violence in which the heroes form an underground community with the license to commit crime‚ drink‚ smoke‚ and most importantly‚ beat one another up. In this film Edward Norton stars as your typical representation of the depressed‚ over worked and over anxious man. His life is dull and repetitive and his job sends him spiraling into a lifeless
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NOSFERATU Nosferatu directed by F.W. Murnau‚ is a feature horror film made in Germany. It was filmed according to the Nosferatu legend‚ the horrific vampire of Transylvania. The film was very archaic‚ in a sense. I noticed in the film that most of the scene changes had a certain color of light. I felt that those light changes were trying to signify the time in the day or the certain amount of light in room of the scene is to help amplify the audience vision. I like how Murnau transitioned
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decipher the events within the play—and within the play’s play—as they unfold‚ thus creating a tertiary level of meta-criticism. Through this approach‚ Stoppard demonstrates that critics and criticism are not formal roles‚ but rather that assuming the role of a critic can be done by anybody and that people actively engage in criticism even if they are not aware of it. Through his criticism of theatre and the whodunit genre‚ Stoppard forces the reader‚ and
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“Symbols are useful in films as they help to communicate underlying meaning to the audience” Symbols are significantly important in the film Australia by Baz Lurhmann. They assist in depicting and understanding underlying meaning in the text. Symbols in the film are used to represent central themes such as‚ social class or standing through aspects like dress code. For instance‚ Lady Ashley’s umbrella and fancy hats are evidence of her wealth and power. Adventure and travel are also shown through
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A.J. Ford Period 2 Mr. Miller 1/14/13 I adore comedy films. Comedy films really make me happy‚ because I am a person who attains great fulfillment out of simple laughter. After all who does not relish a good laugh? I have seen a range of comedies from stand-up comedy with Mike Epps‚ to Wedding crashers. I am absolutely a fiend for comical movies. However I do enjoy a plethora of movie types from comedy‚ romance‚ action‚ biography‚ historical‚ and horror. Diversity is integral when
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Partisan presents itself as Australian Ariel Kleiman’s feature-film directorial debut‚ though you wouldn’t realise it from the maturity displayed on screen. The narrative‚ rather than flimsily structured as some critics have purported‚ is sinisterly brooding and intentionally thin‚ giving the film a normality that adds effective contrast to the otherwise shocking subject matter. The subject matter in question revolves around Alexander‚ a misbehaving child played in a menacingly placid way by newcomer
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of French cinema‚ numerous directors have chosen to set their films with the background of a traditional‚ nostalgic France‚ especially when set in the city of Paris. These films tend to feature a setting of a “stereotypical France” -or with elements people tend to think of when France is brought up- with prim and proper people and brightly colored‚ clean streets devoid of any trouble or complication. A countless amount of these films also tend to star a fully white cast to portray the old‚ outdated
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