The beginning of the film Jaws starts of with the first attack. This scares the viewer from the very start and excites them‚ wanting to know what happens next and who else will be victims. The first victim‚ a girl‚ is attacked at night‚ so this would mean it would have been dark. This is done for two reasons‚ one the dark is scary to everyone as no one can see what is coming for them‚ or what it out there‚ and that links into the second reason‚ so we don’t see the shark‚ leaving a sense of mystery
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impossible for any one that was not white. Any sign of unconformity or differences would be used against you and any place you hoped to hold in society. The United States‚ during this time period‚ was not the land of equality that President Lincoln had hoped for when he proclaimed freedom of slavery for African Americans in the Emancipation Proclamation. In the 1950’s and 1960’s there was a new type of music being introduced and called Rock N Roll. In the beginning of this film the first reference
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this tradition stops and therefore Vlad’s kingdom is lured into a false sense of security. In 1462 his wife (Sarah Gadon)‚ son (Art Parkinson) and people who are enjoying living in peace are threatened once again by the Ottoman and told to release one thousand of their sons to the empire. Desperation leads Vlad onto a dark path and he plans to make a deal with an old‚ strong vampire lurking in a forsaken cave. Seeing no other choice‚ he becomes a vampire and with this he has strength and speed unmatched
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PTSD is portrayed significantly throughout this film and shows the raw accuracy of how it can affect people in multiple ways. Rae had PTSD because she had been sexually molested by her stepfather; because of this catastrophic event‚ it produced psychological suffering throughout her life. Ronnie had PTSD‚ which was created by any tremendous noise. Regrettably‚ the film does not give an insight as to why this disorder had evolved‚ but the viewer can infer what may have occurred in his life. Lazarus
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Film Analysis: The Conformist The Conformist‚ directed by Bernardo Bertolucci portrays the struggle of Marcello Clerici‚ who is torn between two worlds. To emphasize this battle between good and evil‚ right and wrong‚ the production design and visual composition include an excellent use of light and shadow. In particular‚ it was quite compelling to see the lighting shift as Clerici vacillated between being a good fascist and living a normal life. In virtually every scene that highlighted fascism
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directed by Bob Fosse‚ reveals a variety of stories to present the central theme of power. Through the employment of characters Maximilian Von Heune‚ Fritz Wendel‚ Natalia Landauer and The Emcee‚ Fosse establishes their distinct positions among society. The power of money is actively explored through Max’s role‚ while the influence of the Nazi party becomes progressively evident as the story of Fritz and Natalia is revealed. Equally‚ the Emcee’s omniscient role is employed to contrast fantasy and
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Black and white film noir evolved in the 1940’s during World War II. This time period of film replicated the post war tensions and anxieties that plagued American society during and after the war. The repetitive trend of these films was dark and almost always based on crimes that involved love and betrayal. 1941- Citizen Kane Director- Orson Wells This film was one of the earliest film noir’s produced and was budgeted at $800‚000. Wells was the director‚ star and producer. Wells also collaborated
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The Power of Film Living in a society where media permeates every realm of our lives‚ one can see the importance of film in the modern world. Often times‚ we only see films as source of entertainment‚ or an escape from reality. But sometimes‚ films can tell a story of reality in a way that makes you open your eyes to a world unbeknownst to you prior watching the film. A film can disseminate information faster and broader‚ thus‚ a wider audience is able to be educated about certain issues and
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Trials are possibly the most notable examples of the persecution of witchcraft in the New World. In the 1996 film‚ The Crucible‚ based on the 1953 play by Arthur Miller‚ it portrays the trials from the point of view of a small community that’s disintegrated by frenzy and lunacy. In the film‚ it emphasizes the role of a group of girls being led by Abigail Williams‚ and illustrates how society was so strict for women‚ even as young as kids‚ that it caused a form of hysterical fear of witches‚ spirits
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effective detail of The Shallows has changed our mind. With a bonus of killer blonde as the female badass‚ Blake Lively (Green Lantern‚ The Age of Adaline)‚ it’s no longer an ordinary survival movie. Hence‚ behind the scene is Jaume Collet-Serra‚ a Spanish film director with bloody cold pieces; House of Wax (2005) and Orphan (2009). Don’t get wronged with the predictable plot cos the simple detail is seemingly geniusly effective turning this ordinary into a maximum thrill‚ giving a critical moment it needs
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