is a french word for ‘author’ which is commonly applied to film directors who portray a personal and unique theme or focus element displayed in most of his movies. Auteur theory first originated in a French film magazine discovered by well respected French film critic and theorist‚ Andre Bazin‚ together with other film critics‚ such as Jacques Doniol and Joseph-Marie Lo Duca. You can call it a signature style for these types of directors‚ because they bring their own personal trait to the audience
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This film is an incredibly rich teaching resource that lends itself to enhancing the visual literacy of senior students. It has won numerous awards‚ including two for cinematography‚ and as such has great merit for teaching students about effective uses of visual techniques and film conventions. The Italian director‚ the auteur Salvatores‚ has made a film that is extraordinarily compelling: in terms of cinematography‚ almost any random pause of the film would depict an incredible use of camera angle
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Film review (127 hours) 127 hours is a true story made into a blockbuster film. The director‚ the actors and the production crew made the film a hit. The film’s genre is within the range of horror movies. It doesn’t need unearthly or scary creatures for it to be considered as horror. The psychological effect and the feeling of helplessness that it gives to the viewers defines it qualifications. The fact that the people who watched this film made horrified and grossed out expressions
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Film adaptations have had their ups and downs over the course of history. Directors often aim at bringing the characters and story in a novel to life through life action or cartoon feature films. However‚ while a frequent number of these adopted pieces of work stay true to their prior work of literature‚ there are many that fail to do so and often deter from the original written manner. Stanley Kubrick is a director known for his display of lively visuals in film‚ and his adaptation of Stephen King’s
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Film Analysis- 3.1 Cresta Te Huia Martin Scorsese is known to be one of the greatest filmmaker of his generation. One of the finest contemporary American directors that have a unique film style although can difficult for many to understand. I have chosen Scorseses’ many violent‚ physical and psychological films to study‚ Shutter Island. Scorsese uses film techniques such as dialogue‚ music‚ camera work
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through a generic transformation within the new American cinema in the adventure and drama genre‚ and incorporates a parallel twist on the western’s genre. Director Dennis Hopper characterizes ideological meaning through performing in the film‚ and historically uses drugs in the production of Easy Rider and throughout the duration of shooting the film. Hippies‚ Billy played by Hopper‚ and Wyatt played by Peter Fonda set out on the highway to pick up drugs in Mexico to sell in Los Angeles to fund their
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Watching all the Asian films this semester has greatly changed my view of Asian directors‚ actors‚ and Asian films in general. It has opened my eyes and it let me see the creativity and the kind of quality that Asian Cinema has to offer. I used to think that Asian Film was corny and boring. Also‚ I used to think that it was just trying hard to follow its western counterparts. I was wrong. Asian film has its own identity and is unique in its own fascinating way. In Asian film‚ or just in Asian countries
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On 1976‚ the film Logan’s Run was released into theatres based on the novel of the same title. Since the release‚ the film has gotten multiple good and terrible reviews regarding its plot and its special effects. The film won a Special Effects Academy Award and was nominated for Best Cinematography and Best Art Direction-Set Decoration. After watching Logan’s Run‚ it was evident that the special effects used in the film were terrible if you were to compare it to todays special effects. Since it
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too much” Antonioni. Write an essay on two films on the course that champion images and/or music over words Film does not simply function to entertain; it is created to make suggestions about the wider society. Furthermore these suggestions and themes are not simply stated‚ but must be tactically revealed through filmic devices. Whilst traditionally‚ dialogue is the driving force of cinema functioning to reveal relationships and themes‚ some directors have gone against this tradition‚ and championed
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ignore all the commercialisation that surrounds film. Even if you’re just watching a Hollywood blockbuster‚ that you know no background about‚ it is almost impossible to ignore the product placement in the film‚ the merchandising that is made readily available to you‚ and the endless about of shops‚ brands and restaurants that advertise the film. In Janet Wasko’s "Hollywood meets Madison Avenue: the Commercialisation of U.S. Films"‚ she makes the film industry’s need to advertising so obvious.
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