Documentary films constitute a broad category of nonfictional motion pictures intended to document some aspect of reality‚ primarily for the purposes of instruction or maintaining a historical record.[1] A ’documentary film’ was originally shot on film stock—the only medium available—but now includes video and digital productions that can be either direct-to-video‚ made as a television program or released for screening in cinemas. "Documentary" has been described as a "filmmaking practice‚ a cinematic
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As movies become more technologically enhanced‚ people are forgetting about the stories and books they are based on. More people should be reading the books the movies came from instead of waiting for the movie to be released in a local theater. Not only are books more substantial‚ but they can also become more entertaining than the movies themselves. Books keep a person’s mind going. A mind is filled with questions and as the wheels in your head are turning‚ your brain is being put to more use
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entire movie. The Birds movie trailer builds tension in different scenes which makes the film achieve horror aspect in addition to suspense. Additionally‚ in film genre‚ suspense puts the audience in a state of excitement or in a situation of expectancy. Aspects such as graphics‚ sound and the language used in movie trailer help to create suspense and the urge to watch the entire film. Focusing on the three films; The Birds 1963‚ Texas Chainsaw massacre 2003 and Scarface 1983‚ shall aim to define suspense
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movies made by Mr. Alfred Hitchcock in 1954. It is considered as one of the best movies of Hitchcock also. However‚ what is suspense? Why Rear Window can be a successful suspense movie? How Mr. Alfred Hitchcock create the suspense atmosphere in this film? In this essay‚ all the above questions will be answered. You will know more about the spell of Mr. Hitchcock’s movies especially the Rear Window. Mr. Alfred Hitchcock is a king of suspense movie making definitely. In his movies‚ suspense is always
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Studying FILM The tremendous expense involved in producing motion pictures reminds us that film is both an Industry‚ and an Art. Each film is the child of a turbulent marriage between businessmen and artists. Yet despite an ongoing battle between aesthetic and commercial considerations‚ film is now recognized as a unique and powerful art form on a par with Painting‚ Sculpture‚ Music‚ Literature‚ and Drama. As a form of human expression‚ the moving picture is similar to other
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Films used to be a treat as a young child‚ whether I went to the drive-in or the movie theatre to see the film was not a question. It was a matter of treating myself to see a film that was just released. . Because of this I was always with the same mindset‚ treating myself to a film for doing something worth a reward. Today choosing what type of film is dependent upon what type of mood I am in. For instance‚ if I am feeling down‚ I may decide that a comedy is a fantastic idea. Many times when
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Module 1 Homework Assignment Allied American University Author Note This paper was prepared for Introduction to Film History‚ Module 1 Homework Assignment‚ taught by Professor Stephanie Sandifer. Directions: Using word processing software to save and submit your work‚ please answer the following short answer questions. All responses to questions should be one to two paragraphs‚ composed of five to seven sentences‚ in length. Your responses should include examples from the reading
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Film: Then and Now The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry’s existence‚ demonstrates a lot of information about the nature of capitalism. The modern film industry was born around
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Hollywood perspective as other countries make their own films even compete against the familiar style. Transnational films break through both ‘national’ and ‘international’ forms and can be taken on a global and local scale. Though‚ it does not limit media to one country‚ but works across many national cultures and economies. Films are not limited to just one country; they can be filmed across one or in many. Although‚ due to the original context of the film‚ not every country may be able to fully grasp all
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