FORMAL WRITING A relevant idea in the film Gallipoli‚ produced by Peter Weir‚ is that war is a tragic waste of life. Weir made this idea seem relevant in the world today by using film techniques including music‚ dialogue and symbolism. Gallipoli is the story of a young man who went off to World War One. This particular film narrates the story of an eighteen-year-old from Western Australia who boarded a troop ship bound for Gallipoli. These soldiers fought the Turks in a campaign to capture
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Film in the Television Age Television first arrived in American homes just as the Hollywood studio system was collapsing. As the new medium took hold‚ so did a new era of motion picture entertainment. Top directors‚ actors‚ and film scholars trace the influence of each medium on the other‚ from the live and fresh dramas of the Golden Age of Television and the growth of Hollywood spectacles to the entertainment industry of today. In the Cold War era of communist witch hunts‚ and blacklisting‚ Hollywood
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recognizable‚ and that blatantly identify completely different ethnic cultures from those that aren’t “white.” Things like food options‚ mannerisms‚ speech‚ and clothing styles are all examples of some of the things films assign cultures. According to these signs people watching films that have actors portraying these characteristics can easily tell which ethnic background they are representing. Each race are linked and classified together according to those signs.
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Nowadays‚ mass media has brought a wide range of choices for people to enjoy‚ such as classic movie or films‚ which are phenomena of cinema industry. Some people argue that watching movies at the cinema is the best choice in order to enjoy all types of movies‚ while many other contend that home is an extremely option as well. However‚ watching movie at home is preferable than watching movies at the cinema or Cineplex. There are some distinct similarities and differences between watching movies at
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Pariah Many terms come to mind when thinking about the independent (“indie”) film industry. Low-budget‚ inexperienced actors‚ non-commercialized‚ and shallow plotline. However‚ there are several major stylistic aspects of independently produced films that define the genre in comparison to films that are produced by large production companies. When producing an independent film‚ the director is not inhibited by the limitations the larger companies have. Without these limitations‚ the directors can
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shots and angles including; extreme long shots‚ medium shots‚ close ups‚ over the shoulder angles and medium long shots. In my posters I use a big masthead and above I put the tagline ‘Every mind hides a shadow’‚ this associates to the title of the film ‘Dark Minds’ because the words are mysterious which links to the genres of my movie - ‘Suspense‚ Thriller and Drama’. The characters on the poster are shown to have serious faces‚ this is because they are FBIs and are determined in what they do‚ it
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The common assumption that hollywood gives the upper-hand to Americans in everything lies in the truth that Americans‚ especially white males run the hollywood scene. The invisibility of representation in hollywood is a reflection of the lack of diversity on the big-screen‚ and behind the screen.This asymmetry of status gives Americans the upper hand in portraying non-Americans‚ their internalized superiority comes from Americans being seen as the victors in everything. This “winner” mindset is the
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“Disturbing New Pathways”). The legacy of Psycho (1960) by Alfred Hitchcock‚ renowned American movie director‚ inspired countless movies and created a new sub-genre in horror‚ known as “slashers”. According to Carol Clover‚ an American professor of film studies‚ the slasher movie is characterized as following the story of a psychotic killer who brutally victimizes a group of young attractive women with a phallic sharp object‚ until he is eventually overpowered or killed by the one “final girl” who
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Displaying memory in its purest form requires an element of deception so that reality can be legitimized and accepted by the audience. Cinema‚ at best complements and at worst obfuscates human memory. Jia Zhangke‚ Lou Ye‚ and Jiang Wen offer a subtle and fascinating account of the cinematic representation of the problem of memory. Since the inception of the camera‚ filmmakers have evolved motion pictures into not simply a reflection but a crucial indicator of human experience‚ especially our experience
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Filmmakers use many different tools to help their audience understand the message in their films‚ and to better understand the psychological nuances of their characters. Some of these tools include acting‚ framing‚ cinematography‚ and editing. These tools can be used to show any range of emotion‚ in many different ways; extreme close ups on characters to show uneasiness‚ tears on an actors face to show sadness‚ fast cutting to make the audience feel rushed‚ or cool or warm colors to convey emotion
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