Title and Year release: Wanted (2008) Genre: Gangster Audience Classification: Production Team (company‚ studio‚ director‚ actors): Directed By: Temur Bekmambetov Produced By: Marc Platt Jason Netter Iain Smith Jim Lemley Screenplay By: Chris Morgan Michael Brandt Derek Haas Story by: Michael Brandt Derek Haas Music By: Danny Elfman Cinematography: Mitchell Amundsen Studio Spyglass Entertainment Relativity Media Marc Platt Top Cow Kickstart Distributed By:
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A.P. Lit/Critical Lens Essay 03-25-13 Who’s Got The Power? Throughout all of human existence‚ the desire for power has overruled everything. We are constantly trying to be better than the ones around us‚ and are jealous of those who are on top. In many situations‚ it seems that no matter how hard we try‚ we can never get to that point of control that we so badly strive for. In Shakespeare’s tragically deceptive play‚ “Othello”‚ the symbolism and conflict throughout the play continually demonstrates
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Despite their obvious length restrictions‚ short films have a distinctive lack of commercial expectation and pressure which allows the director the artistic freedom to explore all other aspects of film to produce unique texts which engage the audience. An example of a film which ais short in length however conveys a strong message through effective use of various aspects of the film medium is The Lunch Date. The Lunch Date‚ released in 1990‚ was directed by Adam Davidson‚ and has received many prestigious
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In the films Black Robe‚ The Crucible‚ The Patriot‚ The Alamo‚ and Cold Mountain‚ the authors created historical inaccuracies for the audience of the generation they were made for. This means they would change some details to fit their idea of what the people felt in that time in history‚ to grip the audience and give some insight to the characters. These inaccuracies also helped to develop a point‚ even though a few minor details were changed‚ the audience eventually saw the whole picture and knew
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Film is a large multi-billion dollar industry in the USA and worldwide overall. Compared to other industries it has a very unique characteristic. For example when it comes to the real estate‚ fashion‚ cars consumer cost will always reflect the cost of manufacturing. If Nissan spends less on manufacturing a car‚ it will charge less than what Rolls Royce would. This rule doesn’t hold in the movie industry. When a person goes to a movie theater they have a wide variety of choices and the price for
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this is important to note is; Raging Bull rejects many of these tried and true methods‚ yet still offers an aesthetically exciting alternative to Hollywood’s system. What the film takes from the conventional structure of Hollywood‚ such as classical narration structure‚ continuity‚ and realism‚ seem to offer stability in a film with sharp
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story of their own. They tell more than just the story‚ but the underlying thoughts behind the film. This can be seen in Blade Runner by Ridley Scott‚ THX 1138 by George Lucas‚ and Children of Men by Alfonso Cuaron‚ as the landscapes help develop the complexity of the story. The directors of these films use setting and landscape to express and contribute to the development of the main argument of each film. In Blade Runner‚ Ridley Scott immediately constructs a dark‚ gloomy‚ and worn out Los Angeles
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Propaganda and Racial Profiling In the Film Gone With The Wind Popular modern film has developed in such a way that propaganda and racial issues plague the screen. Gone With The Wind is a popular example of a film that has been affected by these malpractices. The film‚ released in theaters in 1939‚ has gone down in history as one of the most successful and well-known movies of all time. One specific article on listverse.com calls Gone With The Wind a “romanticized portrayal of the South during
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The Racial Differences In The Film Industry Researchers at the University of Southern California studied the 700 top-grossing films from 2007 to 2014‚ excluding 2011‚ and analyzed the race and ethnicity of more than 30‚000 characters to reveal diversity in film. The research showed for nearly a decade‚ filmmakers have made virtually no progress in portraying more characters from non-white racial and ethnic identities. Of the top 100 films of 2014‚ nearly three-quarters of all characters were white
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Inception a film by Christopher Nolan Nolan elaborates‚ “At the heart of the movie is the notion that an idea is indeed the most resilient and powerful parasite. A trace of it will always be there in your mind…somewhere. The thought that someone could master the ability to invade your dream space‚ in a very physical sense‚ and steal an idea—no matter how private—is compelling.” (2010) Dom Cobb (Leonardo DiCaprio) is a skilled thief‚ the best in the dangerous art of extraction: stealing valuable
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