"Film sound analysis" Essays and Research Papers

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    May 2011 It Sounds Mouth Watering In all types of film‚ especially with animation‚ the images that are created on screen visually engage the audience to the world of the film‚ yet in order to fully experience all that the film has to offer‚ the visual aspects are only half of the importance. Sound design makes up that other half of the cinematic experience‚ and engages senses other than the visual in order to immerse the audience into the film. In Brad Bird’s animated film Ratatouille (2007)

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    In the 1920’s before sound was introduced into film we had silent films. Stories were told through expression and even music. Pianists‚ complete orchestras‚ organists‚ and even some actors and narrators were invited by theaters to accompany the films being shown (Silent Films). On the Info Please website‚ the author of Movies and Films writes "by the 1920s‚ silent film writing‚ acting‚ photography‚ and music had reached an aesthetic pinnacle: very subtle emotional and plot nuances could be conveyed

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    When exploring the significance of sound upon a film’s thematic concept‚ one must identify the fundamental components of the individual film score and its relationship to the development of the plot. Sound has been a dominant feature of the audience’s cinematic experience from early in the art form’s history. Initially existing as a simple piano score that was used to assist in the realisation of certain on-screen emotions‚ the use of sound has been greatly developed and is now considered as "one

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    The issue of female persecution throughout many of Hitchcock ’s films has been fiercely contested‚ none more so than the controversial issue of assault and the attempted rape of a woman. Views that Hitchcock represents the archetypal misogynist are supported‚ Modelski suggesting that his films invite "his audience to indulge their most sadistic fantasies against the female" (18). Through both the manipulation of sound and the use of language‚ none more so than in Blackmail and Frenzy‚ the idea

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    “The talking film is not everything. There is also the sound film.” Thus explained the French filmmaker René Clair in 1929. With this statement Clair was challenging us all to push the boundaries of sound design in films. From the primitive synchronization experiments of Lee de Forest and Thomas Edison to state-of-the-art Dolby Digital 10.2 surround sound‚ there are no boundaries for creating a virtual deluge of sound. Even though one is tempted to hypothesize about the future of sound design‚ it

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    The evolution of sound in cinema Jay Beck General histories of the relationship between sound and image in cinema tend to perpetuate an ocular-centricity (emphasizing vision over the other senses) that dates back to the very earliest experiments in “moving pictures”—a term which itself serves to confuse historians. The vast majority of cinema histories tend to relegate the subject of sound in cinema to a subordinate position by studying the transition to the sound period in the late 1920s and

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    The coming of sound‚ although it was very popular with the audience‚ was not welcomed by everyone. Many saw the technical innovation as a barbaric intrusion to silent cinema. Among those people was Renée Clair‚ a French director of the thirties‚ extremely popular internationally. Like many others‚ he dreaded the arrival of sound however‚ because the public’s demand for talkies was so strong‚ he had no choice but to adapt to modern times. However his use of sound is quite particular and very interesting

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    1. I picked to do the sound design of Star Wars. Sound designer Ben Burtt was responsible for the sound designs in Star Wars the Movie. Example one of the sound design techniques is R2-D2’s voice. Half of his voice is made electronically and the rest of it is a mixture of whistles‚ water pipes‚ and vocalizations by Burtt. Example 2 of the sound design techniques is Chewbacca. His sounds are made out of part of walrus sounds and other animal sounds. Example 3 of the sound design techniques are the

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    ИРИНА THE WORLD HISTORY OF FILM INDUSTRY Научный руководитель: кандидат педагогических наук‚ Компанеева Л.Г. Волжский 2008 CONTENT |Introduction …………………………………………………………………... |3 | |Part 1. The history of film industry before World War II ….....……………… |5 | |1.1 The forerunners of film…………………………………………………...

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    Comparison of Chinese and American Film industry Introduction A Film‚ also called a movie‚ is a modern art that combines pictures and voices to entertain people and express certain ethnic or political attitudes and other concerns. Movies have absorbed the characteristics of literature‚ photography‚ painting‚ music‚ dancing‚ writing‚ sculpture‚ architecture and many other kinds of arts. However‚ they are not produced through a simple combination‚ but rather‚ with a process that includes digestion

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