A film director‚ fundamentally‚ is the one with the most control over the creative aspects of a film’s production‚ but they are also much more than that - they are most often the driving force behind a film‚ with command over the cast members and production design‚ and are tasked with the most difficult endeavor of making their stories come to life. They take little pieces of their heart‚ soul and mind and put them in their films‚ and because of this‚ diminutive pieces of the director are permanently
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Luka Lokmer The film "Crash" directed by Paul Haggis challenges the audience through the theme of prejudice‚ isolation and through the use of characters how the audience views them. The film is set in Los Angeles‚ and shows the confrontation of people ’crashing’ into each other‚ due to their views and beliefs. Haggis shows this through cinematography‚ music‚ irony and through the use of characters. Haggis portrays the lives of every-day people who collide with each other because of their racial
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"Double Indemnity" is one of the best films of all time‚ not necessarily because of its story but because of the acting‚ direction‚ cinematography‚ lighting‚ and the narrative style. At the time this film was released‚ the idea of revealing who the killer was in the opening scene was virtually unheard of‚ but it ended up being very effective because it allowed the audience to concentrate more on other elements of the film‚ which was the goal of Billy Wilder‚ the director. Instead of trying to figure
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performance again. Three rehearsal techniques that a director should employ in rehearsals are: isolation‚ disassemble/reassemble‚ and disguised practice. Isolation involves isolating a tricky part in music‚ slowing it down‚ gradually speeding up‚ and then playing it back into context gradually. This technique works well for sections or groups who are struggling with a difficult part of the music‚ and need more attention and troubleshooting from the director. I believe this technique should only be used if students
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in a frame can tell an entire story of its own. The setting‚ lighting‚ and even position of the characters in a film can give a whole new meaning to a frame or scene. In The Philadelphia Story‚ mise-en-scène plays a large role in the overall tone and understanding of the story. Each frame is carefully thought out and set up‚ resulting in a beautifully composed film. The setting of the film is a large Philadelphian estate in which the high class main character Tracy Lord lives. The house is filled with
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Upon watching Crash Directed by Paul Haggis‚ I have come to the conclusion that people are a lot more like sheep than we would like to admit. Sheep are followers; they go with what every other sheep does. They have no sense of reasoning‚ right or wrong‚ or emotion that comes with the frontal lobe that human beings were gifted with. So why must we continue to deny the use of our frontal lobe’s incredible ability to be unique? Why don’t we break the cycle of letting
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Throughout the movie Crash the director Patrick Haggis shows a lot of examples of the racial tension that occurs in our society. Haggis depicts different dialectics through separate scenarios of different stereotypical characters that interconnect in contributing to the plot. I am going to illustrate a few key points throughout the course of my paper; reality as motion‚ appearance versus essence‚ and contradiction energizing motion. The first concept I am going to discuss is reality as motion. Reality
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Romeo + Juliet Modern day audiences expect a film such as Romeo + Juliet to contain themes such as action‚ impressive visual aids and music. Baz Luhrmann uses elements of cinematography to entice a modern audience into his adaption of William Shakespeare’s Romeo + Juliet. Luhrmann uses a modern day audience to make the movie appealing to teenagers‚ whilst including modern day themes such as Love‚ violence and gunfights. The camera shot used to introduce the city of New Mexico are used to draw in
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afraid to awaken to reality. Their only opportunity to understand one another is by unintentionally crashing into one another. However‚ when they crash‚ their emotions are driven by fear which prevents them from awakening from their reality. Dreams are often deferred due to fear. Fear of the unknown and facing reality. Each character in the film‚ Crash has a fear of other people unlike themselves. They find it difficult to leave their border space and enter the comfort zone of others. There is
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of Anderson’s films is a box filled with the shards of an individual’s fragmented history. Let us take a look into the boxes of Wes Anderson! 3) Wesley Wales Anderson is a
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