Clay Meyers History of Art 3901 Professor Svede September 7‚ 2012 Filmmaking features can shape the viewer’s attitude toward specific elements of a film. Music‚ timing‚ camera features‚ setting and much more all influence the viewer’s outlook. The Battle of Algiers and Paradise Now and then both put their perspective on the struggle between two different groups and fighting techniques within the two sides. Each film takes a different approach to connect the viewer to the film. With only
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No matter the direction‚ or approach one may take when deciding to study Canadian cinema they will ultimately always end up coming across John Grierson’s name. Initially‚ when beginning research on the Canadian Documentary as a national trend one may focus on the characteristics and themes that set this trend apart from others. As that information is very valuable in this deeper analysis of a film trend‚ it is important to take a step back and acknowledge that this trend must have had to start somewhere
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the catastrophe has opened the doors for filmmaking as retell the horrors realistically‚ as well as to dramatize and fictionalize them as well. For my film festival project‚ I have chosen to discuss contemporary films and their relation to the Holocaust. I have selected six films‚ all of which were released in the last twenty-five years‚ with storylines involving the Holocaust. All the movies originate from different countries and are unique in their filmmaking style and their take on the event. My
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world-class creative talent to develop computer-animated feature films with memorable characters and heartwarming stories that appeal to audiences of all ages. Feature Films On November 22‚ 1995‚ Pixar Animation Studios forever impacted the future of filmmaking‚ storytelling and the medium of animation with the release of its first feature film‚ Disney·Pixar ’s Toy Story. Released nine years after the founding of Pixar‚ Toy Story exhibited years of creative and technical achievements from a small group
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Though all 12 jurors are white men‚ they are a varied crew. They attempt to sit still around the heavy table at the centre of Allen Moyer’s set‚ but in their passion keep leaping up to pace the room‚ mop their brows and peer out at an oppressively humid New York day. Relying on their analytic abilities - this is the 1950s‚ years before fancy forensics determined verdicts - they pore over the details of the case. If Rose’s dialogue makes one wish occasionally for the more clipped speed of cop-show
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Creative Minds Scholarship Title The idiom “Practice makes perfect” has been in the vernacular of man for hundreds of years‚ and has always carried the same immeasurable level of truth. Through experience‚ we hone whatever craft we may practice‚ and every day we find things to improve on from our past work. This is especially apparent in creative work‚ at least in my own instance‚ because I find flaws in past projects to improve upon with each revisit. As far as I can remember‚ the video camera
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A. Asal Cinema 121 Harpur Cinema Report November 16 2009 NOSFERATU The movie “Nosferatu” is a great movie‚ which a lot of aspects of filmmaking and cinema can be observed. The present movies made about vampires still have the same qualities and characteristics as this movie‚ which was made at 1920s. Along with this‚ how sexuality is expressed and shadows are used are the other two aspects that might catch audiences attention. Many production companies have been making movies and TV series
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Martin Scorsese and Raging Bull Martin Scorsese is said to be one of the greatest American filmmakers of all time. Graduating with a Masters in filmmaking from New York University‚ Scorsese has directed films including: Taxi Driver‚ New York New York‚ Good Fellas‚ Raging Bull‚ and more recently – The Boardwalk Empire. Now - to dive into the aspect of color versus black and white in the movie‚ Raging Bull. Researching both the movie and the mindset of Martin Scorsese led to some interesting
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Touch of Evil (1958) is an American film noir crime thriller‚ directed by Orson Welles. It may sound like a typical cop movie‚ but Welles for the time period pushed the limits of filmmaking. He takes us out of the 1950s “Ozzie and Harriet” world and puts us right smack into a world that is shockingly dark and twisted. Welles‚ like other Hollywood directors of the 1940s and 50s‚ started to experiment with different camera techniques to represent a character’s point-of-view. In its most effective structure
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wouldn’t otherwise try their hand at short films will see works similar to You Won’t Regret That Tattoo and realize just how simple the process could be. If it’s got me scheming and brainstorming away (a college grad with relatively little interest in filmmaking)‚ then I can’t imagine what it has the possibility to do to those with a more pronounced interest in
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