When Terminator 2: Judgment Day (1991) came out‚ it gained notoriety as the first movie with a budget exceeding $100 million; however‚ today‚ T2 doesn’t even crack the top 200 in terms of the highest budgets and‚ in fact‚ 45 of the 50 most expensive films ever made were produced in the last 10 years (Buchman‚ 2014‚ para. 1). But why are today’s movies so costly to make? The information that follows will attempt to answer this question. However‚ before that‚ we’ll see how movies are financed‚ marketed
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From DV Realism to a Universal Recording Machine Introduction If Mike Figgis’s remarkable Timecode (2000) exemplifies the difficult search of digital cinema for its own unique aesthetics‚ it equally demonstrates how these emerging aesthetics borrow from cinema’s rich past‚ from other media‚ and from the conventions of computer software. The film splits the screen into the four quadrants to show us four different actions taking place at once. This is of course something that have been common
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delivering items. Evaluation of their use Unmanned aerial vehicles have come to serve in many areas under impending critical issues. For instance‚ they have extensively been used for military operations and also aerial surveying of crops. The filmmaking industries have also benefited greatly from these technologies since it
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that little of it is still applicable today. Moreover‚ the dialogue‚ which takes up such a large amount of space‚ can sometimes feel stilted‚ as people simply don’t talk in the style depicted here. In addition‚ we now have ample evidence of the way filmmaking works. Few moments in the book are revelations anymore. In this way‚ Ross’ work is hurt by being such a precursor to a good portion of the coverage around Hollywood because it does not t feel as fresh as it must have upon its
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The Art of Film The first Important film directors and their films. Le Prince - “Roundhay Garden Scene” and “Leeds Bridge” (1888). This film is an incomplete “Actuality” showing Le Prince’s family in the back yard of their home. It is not a narrative and the event lasts only briefly. The types of shots and camera angles. (Lecture and Giannetti) Camera Angles • Shot Size • Camera Orientation Shot Size Designations • Long shot • Medium shot • Close-up Realism‚ Classicism‚ and Formalism. (Lecture and
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130 minutes is all it takes for one person to become engrossed in a tale‚ to travel through the trials and tribulations‚ and to be able to walk away with something to talk about. Movies have always been an escape for humans to travel and walk through someone else’s eyes. Some movies are better at making people’s dreams come true or for Tim Burton making people’s nightmares come to life. Tim Burton‚ a filmmaker‚ has become extremely popular in the eyes of this generation as the kind of director that
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What benefits does looking at a family provide for storytelling through films? When looking at a family there tends to be a lot of characters: the nuclear family‚ the extended family‚ and the close family friends who are not even blood related. Why would a filmmaker ever choose to work with such a large number of characters and people? The stories that can be told from a family tend to be universal such as‚ love‚ marriage‚ heartbreak‚ hardship and so on. These stories can only exist within a family
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Dan Schneider and James Berardinelli’s misconception of the auteur theory 19 JANUARY 2009 - BY FREDRIK FEVANG In a recent post on his art criticism website Cosmoetica‚ Dan Schneider interviews online film critic James Berardinelli about (tentatively) everything film and James Berardinelli. It is a refreshing form of journalism which‚ as Schneider and Berardinelli point out‚ has been outphased in modern media. The in-depth interview will be interesting to anyone who have an affiliation to film
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view points and assessing both the positive and negative impacts of networked society. In the recent years networked society has begun to have an impact at every level of the documentary filmmaking process and this impact has been hugely beneficial to filmmakers. During the creation part of the filmmaking process‚ networked society has made it possible to create collaborative work with other creatives who are living or working in a completely different part of the world. Gary Hustwit director
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founded The Factory‚ it was an art studio where he employed in a rather chaotic way “art workers” to mass produce mainly prints and posters‚ but also some other things like shoes designed by the artist. Other from art‚ the Factory also served as a filmmaking studio. He made a series of 16mm films
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