him from his elder son‚ was the first in a family of Flemish painters. He spelled his name Brueghel until 1559‚ and his sons retained the "h" in the spelling of their names. Pieter Bruegel the Elder‚ generally considered the greatest Flemish painter of the 16th century‚ is by far the most important member of the family. He was probably born in Breda in the Duchy of Brabant‚ now in The Netherlands. Accepted as a master in the Antwerp painters’ guild in 1551‚ he was apprenticed to Coecke van Aelst
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St. Luke Drawing the Virgin and other early Renaissance Flemish and Italian paintings / Eitan Kenner The piece St. Luke Drawing the Virgin‚ c. 1435-40 by Flemish painter Rogier van der Weyden is an oil and tempera painting presented at the Museum of Fine Arts in Boston. Its narrative is a popular theme in art‚ showing St. Luke painting the Virgin Mary with the infant Jesus. Such paintings were often painted for chapels of Saint Luke (saint patron of artists) in European
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6/7/2005 Hunters in the Snow‚ sometimes called The Return of the Hunters[1]‚ is part of a series of landscapes painted on wooden panels and themed around characteristic periods of the year. The series was finished in 1565 by Flemish painter Pieter Bruegel the Elder‚ probably for Antwerp merchant Nicholas Jongelinck‚ who we know entrusted it to the town of Antwerp in February of 1566.[2] The five surviving paintings from the series are The Return of the Herd‚ Hunters in the Snow
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The Pitman Painters written by Lee Hall (author of „Billy Elliot“)‚ inspired by a book by William Feaver story about the journey of a group of Ashington miners discovering that they too have the right and the ability to make art decide to do an art appreciation class within a few years‚ this group of Ashington miners‚ a dental mechanic and a professor from Newcastle University become celebrated in the British art world evolve from a group of uneducated working men into an exceptionally
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activity‚ and so it is (supposedly) well known by economists‚ managers‚ and accountants. The accounting book which appears in the picture is the origin of former AECA (Spanish Association of Accounting and Business Administration) logotype. It is a Flemish painting from the early 16th century. Not so many economists are‚ however‚ aware that there are two different versions of this picture: one by Quentin Massys‚ painted about 1514 (now in Paris‚ the Louvre)‚ and another by Marinus (Claeszon) van Reymerswaele
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Renaissance was an important time in history. It marked a period of rebirth which is also what renaissance literally means.It marked all kinds of changes in hisory including‚ exploration and scholarly values. Many things occurred during this period‚ many painters sculptors‚ and other artists flourished.Trading grew and we even changed our system for astronomy.Many inventions also surfaced during this time‚ some of them led to what we use today. There was a surge of art during this time period‚ which led to
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window structure or indeed of any variation on the plain‚ smooth surface of the underlying background.17 Some earlier works attributed to Leonardo‚ the Madonna Litta‚ the Benois Madonna (both Hermitage‚ St. Petersburg)‚ and the Madonna with the Carnation (Alte Pinakothek‚ Munich)‚ all have a window behind the figure; thus the absence of a window in the background of the Cecilia Gallerani raises the question “why?”. The following section will be divided into two parts: why did Leonardo include a
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similar as first glance‚ almost polar opposites. 1. The first painting I will be comparing is Rachel Weeping‚ which can be found at the Philadelphia Art Museum. 1. This painting was created by Charles Willson Peale. Peale was a portraiture painter‚ and was the first to paint the first president of the United States of America‚ George Washington. 1. Peale was born in Chester‚ Queen Annes County‚ Maryland‚ 2. He lived an extraordinary accomplished life‚ born April 15th 1741‚ and finally
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Vhhvgindtgbjehsbdjdjcjfjcjfjjfj Djdjejdhjdjjdjcjdjdjdjfjcjijjejwkakzkc Ddndjjckdjejcjdjdjfnfndnendjjdjds Smjdkdjdjejdjwkaakjxjdjccjdjcuudjf Dmdjdjehdhjcjejxusjjdjjxjsjdjsm Dhejdnjdjdjejdjjdjejdjjdjdjjdjjdjd Dmdjdjjdjejdhdjdjejdkskwowosoidkdjdjdj Emdjdjjdjejejcjdjwjajjdjdisixjcjejfjejmffndm SdEarly Netherlandish painting refers to the work of artists active in the Burgundian Netherlands during the 15th- and 16th-century Northern Renaissance. Their output follows the International Gothic style
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http://www.nga.gov/collection/gallery/dutch.shtm DUTCH AND FLEMISH PAINTING OF THE 16TH-17TH CENTURIES Religious and political turmoil in the 1500s split the Low Countries into two nations with differing social values and artistic tastes. Flanders remained Catholic and royalist; Flemish artists such as Rubens and Van Dyck glorified the Church and monarchy with grandiose themes‚ lively compositions‚ and vivid colors. The United Netherlands‚ however‚ became a republic populated mainly by Calvinists
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