using select subject-camera distances that seem to make her appear powerful and in control. The medium shots of Professor Rath and the full shots of Lola Lola during the first “falling in love again” performance are used to compare the emotional male character to the empowered female character‚ and therefore illustrate the evolving sexual identity of women. The scene begins with a full shot of Lola Lola performing in front of a large audience. Her posture and attire are fully captured by the camera
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depending on the mood and location of the particular shot. During the opening scene of the movie‚ Ethan rides across the dessert with mountains in the background. Ford uses natural surroundings extensively during the movie. During transitional scenes when the actors are moving from one place to another‚ the shot is usually from a distance. This technique shows the overall grandeur of the natural surroundings dwarfing the actors. During many of these shots‚ the actors themselves are indistinguishable while
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positive for the flu. Of the people who tested positive for the flu 200(Y) patients had no insurance and had not received the flu vaccine. The hospital is still trying to collect $10‚000 (Z) from those hospital bills. The purpose of this program is to allow uninsured members of the community to receive the flu vaccine at no cost to them. If uninsured members of the community were able to receive the flu vaccine at no cost then this would reduce the amount of patients seen during flu season as well
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Some scholars criticise Cidade de Deus / City of God (2002) on the grounds that the film represents violence and poverty as a ‘spectacle’ and fails to relate these issues to the wider socio-political context of contemporary Brazil. Is this criticism justified? ‘There are…two kinds of film makers: one invents an imaginary reality; the other confronts an existing reality and attempts to understand it‚ criticise it…and finally‚ translate it into film’ Fernando Biri‚ 1979[1] Fernando Meirelles’s
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actors whom Hallstrom accentuates these ideas through filmic techniques. Isolation a major issue in this film and Hallstrom has conveyed this idea constantly throughout the film. The introduction of the film has shot the village from bird’s eye view and these continuous overhead shots express the isolation and disconnection the village has from the rest of the country. The scenery of mountains and large landscapes of forestry and the long river depict a peacefulness and tranquillity and also at
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position helps to clearly introduce and identify the characters of the film. The clip opens with a medium close up shot of the protagonist Johnnie Gray as he looks into the distance‚ showing his importance in the film and directing the audience’s view towards the other characters of the film (General Thatcher and the ten men) respectively. A few of these men first appear in a long shot‚ hammering the top of the train. This builds their characters as bad guys. As more of these men are introduced‚ the
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prevent individuals to achieving their dream. In the opening scene‚ the slow motion shot of Billy jumping up and down on the bed with a close up shot of his ebullient face reveals his natural talent for dancing. It offers the reoccurring motif of dance and music‚ as the diegetic sounds of the T Rex song “Cosmic Dancer” plays and foreshadows what is to unfold: a story about a passion for dancing. The establishing shot shows that despite Billy’s awkward movements‚ there is a sense of harmony and freedom
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Florian Henckel von Donnersmarck’s film The Lives of Other’s (2005) is set in East Berlin during the socialist reign from November 1984‚ up until the fall of the Berlin wall in 1989. The political context plays a significance role not only in the film’s subject matter but also in its cinematography‚ which exploits the voyeuristic tendencies of the audience‚ reflecting the surveillance of the Stasi Secret Police officers. The film follows a loyal socialist and playwright‚ Georg Dreyman who becomes
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Silva – N01147112 Introduction Mise-en-Scene Shot The element distance of diachronic shots is well explored throughout the famous music Let It Go showing the contrast between the scared Elsa and herself after the transformation. At the beginning‚ Elsa is terrified after running away from Arandelle‚ the extreme long shot of the mountain leaves the character invisible‚ then the camera starts to approximate‚ but the shot only changes to a long shot only 12 seconds after the music has begun‚ which
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used varieties of shots included wide‚ medium‚ tight‚ creative shots. So‚ the viewers can maintain the attention to the news‚ and these shootings made the news clear and understandable. • (Evidence of wide‚ medium‚ tight and creative shots) I could see the wide shot when they show us the place which the burgarly happened. So‚ they shot the town including street and building so that viewers recognize the place. In addition‚ when they told the story about dog‚ they used wide shot. We could see inside
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