understanding of the place they are documenting. In film number one the filmmaker used a lot of long and close up shots to show the natural beauty surrounding the bridge. The filmmaker also zoomed and focused in on a lot of simple things in the park such as the leaf with drop of water to show how serene the area is. In film number two the filmmaker main thing was juxtaposition. Every shot in the film was placed strategically to show how a morning on the LIRR typically goes. The film was mad for you
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decides to keep his family but Betty does not want to stay. Betty tries to escape multiple times but Moody catches her and resorts to beating his wife in attempts to keep her there. Brian Gilbert used textual features such as lighting‚ camera angles‚ shots and music to demonstrate the conflict between the members of the Mahmoody family. Early in the movie there is a scene where Betty learns that Moody has no intentions of leaving Iran. Lighting and framing are used then to reflect the conflict. The
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her time with him is running out‚ as her sins are being cleansed and are spilling out of her. This first image occurs after the subject and her love interest skate together in the ice rink while the cleaner watches on. This image is a medium close up shot‚ which is usually used to convey emotion and identify with characters. The subject’s eyes are closed and her and her love’s hands are entwined‚ indicating that they don’t want to let go of each other. Using the rule
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Sixth Sense essay. 1. How does the director M. Night Shyamalan‚ use cinematic techniques to build an atmosphere of suspense in the film The Sixth Sense? The movie The Sixth Sense is directed by M. Night Shyamalan. He uses cinematic techniques to build an atmosphere of suspense in the film. M. Shyamalan uses camera angles‚ sound and colour to enhance suspense in The Sixth Sense. Some scenes where the cinematic techniques enhance the suspense are ‘Kyra’s funeral’‚ ‘I see dead people’ and ‘the hanged
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Ellis and Mud. The camerawork throughout these scenes helps to convey one the director’s intended messages. The message that love exists‚ but that heartbreak and disappointments are unavoidable is conveyed with the use of cuts‚ high and low angle shots‚ elements of the mise-en-scene‚
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Thelma and Louise are two friends who decide to take a weekend trip into the mountains. However all does not go according to plan when in a diner parking-lot Louise shoots a man who attempts to rape Thelma. From here Thelma and Louise go on the run - robbing a bank and blowing up a gas tanker on the way. ’Thelma and Louise’ is essentially a road movie‚ which embodies the spirit of the crime‚ thriller and buddy movie as well. As the film progresses the pair become closer‚ revealing more to each other
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the opening scene? How? Why? HOW dialogue sound - music/noise – digetic (sounds we’d hear if we were there) & non digetic (background music‚ something that’s not really there) lighting - colour mis en scene (composition) camera angles and shots actors props scenery In the beginning‚ it sounds as if someone changed the radio station to listen to the news. The narrator is talking about the Soviet Union which had successfully launched... history’s first man-made satellite... into space
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illustrate Fran and Scott being alone together are shown naturalistically which juxtaposed to other scenes in the ballroom world which are all unrealistic this portrays that their relationship are of true identity and not altered truth. A close up shot of Scott telling
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Scene Analysis – The Assassination of Jesse James by The Coward Robert Ford The Assassination of Jesse James breached new heights in the western genre. It is unique in its narrative style and conventions‚ challenging the norms of the classic western‚ leading way to a whole new perception of it. Its excessively dramatic overtones reveal a part of the Western world that is so scarcely portrayed‚ diverting people’s general ideas about it. The film’s narrative focuses on a dying hero as opposed to a
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at the football camp. They are sitting on opposite sides of the shot‚ facing each other like adversaries. Dividing them is a path running between them up towards a big traditional-style door to the centuries-old buildings of Gettysburg College. This path represents the tradition of racism in America between blacks and whites all the way back to slave-ownership times that divides Alan and Petey in present day‚ 1971. This camera shot is combined with dialogue which is impersonal‚ defensive and suspicious
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