him not participating in any class activities. The camera angel that supports this statement is an eye-level shot where Charlie is sitting in class backed down on his chair. This symbolises that he is too afraid to speak out. The body language is dull with a lower self-esteem. Similarly‚ in Dead Poet Society Todd a shy and insecure guy who is too afraid to come out of his shell. The camera shot used is close-up where Todd’s facial expression is conveyed by tension and fear. So‚ therefore both films
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Expressionism and Realism Mixture in The Last Laugh and Citizen Kane One of the greatest expressionism and realism film- The Last Laugh- directed by German Director F.W Murnau‚ was released in December 1924. The exaggerated camera shots in this film give the audience a strong sense of anger‚ disappointment‚ and compassion of the Hotelportier. Facial expression and characters’ action stick out from the film. Selection of the camera settings are mostly set on the street or the apartment which
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hearted‚ honest family man. The film producer is able to show this through many camera angles of his actions and emotions. We see a close up of James Braddock when he is at the gate waiting and hoping to be picked for a job at the docks. You see in this shot it mainly focuses on James’ facial expressions. You see that he is worried that he may not be chosen for a job and he will return to his family with no money. You see that he has some hope and that he is concerned that he may not be chosen for the
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blacks don’t want to integrate either because they don’t trust “your people to be honest.” One scene where we seen this clearly is when Alan and Petey are forced to learn about each other at the football camp. They are sitting on opposite sides of the shot‚ facing each other like adversaries. Dividing them is a path running between them up towards a big traditional-style door to the centuries-old buildings of Gettysburg College. This path represents the tradition of racism in America between blacks and
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scene may be an elongated flashback or a memory. The opening shot fades in too show a low angle shot of a building‚ that is made too look very big due to the low angle shot. The building looks very modern and pristine therefore the audience assumes someone of a high order must work here. A posh car then drives into the frame‚ as text tells the audience the setting of the scene in Prague. The shot is a very long lasting static shot which gives the audience time to consume the setting for example
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Strenghts and Weaknesses One strenghts of our production was the use of a large varity of shots through out our advert. Our advert starts off with the main character in medium long shot and ends on a close up of football boots. We have used shots like long shot‚ over the shoulder‚ low angle shot and others. We wanted to create an advert that has verity of different shot to show the football boots and make it the main protagoinst‚ to grab the audince’s attention. Our intended idea was to attract
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by a close up to Jamal’s face. Then switching shots from the falling ball and Jamal’s face‚ as he is getting ready to catch the ball. As the ball is about to hit the ground there is another low angle‚ at that moment a plane flies over‚ to emphasise the plane is much higher and going extremely fast. Next there is a tilted angle looking at the other boys’ faces as they’re annoyed Jamal didn’t catch the ball. Police arrive on motorbikes‚ with a low shot from the front of the bike‚ suggesting they’re
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large part of the school’s philosophy. The speech the headmaster makes also highlights how important success and tradition is to the school. We later on see a small montage of the students in different classes being taught in very customary ways. The shot of the Latin class repeating back a list of verbs highlights the school’s rigid but conservative learning environment created by Peter Weir. These images of the school continue throughout the film but it is not until the end that the extreme consequence
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theme displayed in the film Rear Window (1954). As such‚ the aesthetics chosen by the director emphasize the altered gender roles of Jefferies and Lisa. The film’s editing techniques contribute to these roles; a series of point-of-view and shot/reverse shots exhibit Jefferies feelings of confinement in the scenes “Lisa” and “Something’s Wrong.” The sound techniques used‚ such as off-screen diegetic sound‚ echo Jefferies’ preoccupation with what’s going on in his own backyard‚ instead of his relationship
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France in its era of economic struggle and proletariat unrest through techniques of panning and lighting to reveal the ignorance in which the upper class unknowingly revel in as the lower classes suffer with economic hardships. August uses wide panning shots over the female factory workers to show the state in which the females are treated‚ the working conditions that are common all over France‚ and the monotony of the town so the audience is able to empathise with the situation that France is faced with
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