Singer/Songwriter Neil Young was born November 12‚ 1945‚ in Toronto‚ Ontario Canada‚ to Scott and "Rassy" Young. Neil Young moved to Winnipeg with his mother when she and his father got a divorce (Erlewin N.Pag.). Upset with failed attempts to become successful Young left his former band The Mynah Birds and moved to Los Angeles. (N.Pag.). Young’s movement to America was illegal and was an illegal immigrant all thought playing with Buffalo Springfield as well as some of his time with Crosby Stills
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Aristotle’s Virtue theory is based on Teleology and the Golden Mean. He says that to be virtuous that we need to act with excellence. He believed that everything on this earth has its own virtue‚ meaning that if it performs the way it’s supposed to by its nature then it is virtuous. He asserted that every event had four causes or four factors that work on it and to bring it into being; 1) Material Cause- the “stuff the thing is made of. 2) Efficient Cause- the force that has brought it into being
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The shock was so bad not a screech escaped my lips. As I rush outside in a panic‚ a dark figure catches my eyes‚ the massacre also in full sight. Misery overtakes my body‚ falling to the ground paralyzed‚ as salty crystals creeped out of my eyes. Looking up at the distant shadow‚ it appears to be drawing near
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These include Tomjon and the witches. However‚ the Fool is the character who best exemplifies the hero archetype and the traits pertinent to all heroes. At first glance‚ it may seem like there wasn’t a character who is specifically chosen to be the hero and bring peace back to Lancre. Upon closer inspection‚ readers can find this quote "’You’d have to be a born fool to be a king‚’ said Granny" (Pratchett 66) which directly foreshadows that the Fool was intended to become king since the beginning of
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Alison Dew Explore the role of the fool in King Lear. In Elizabethan times‚ the role of a fool‚ or court jester‚ was to professionally entertain others‚ specifically the king. In essence‚ fools were hired to make mistakes. Fools may have been mentally retarded youths kept for the court’s amusement‚ or more often they were singing‚ dancing stand up comedians. In William Shakespeare’s King Lear the fool plays many important roles. When Cordelia‚ Lear’s only well-intentioned
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Fool in King Lear The Fool is Lear’s own stand-up comedian‚ but he’s the only guy that Lear allows to criticize him. But in Shakespeare’s plays‚ he seems to be very intelligent and also a good person. Fool assumes to be Lear’s protector. The Fool is the King’s advocate‚ loyal and honest‚ but he is also able to point out the king’s faults‚ as no one else can. The Fool shares his master’s fate‚ and this reinforces the impression that the Fool’s purpose is to protect Lear until Cordelia can arrive
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between King Lear and his Fool in this passage. How is the relationship developed in King Lear as a whole? In Shakespeare’s "King Lear"‚ the relationship between Lear and the fool is crucial to the development of the character of Lear and also to many themes in the play. Interweaving insightful commentaries with clever wit and language‚ the fool‚ a loyal associate to Lear‚ offers an insight into Lear’s mind. Using juxtaposition with metaphor‚ symbolism‚ puns and irony‚ the fool effectively addresses
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many things—including many people— but one thing that Shakespeare is not considered is a fool.Yet this would not be as great an insult as it sounds. Shakespeare wrote many “fools” into his plays‚ most of whom were treated respectfully. A few even had major roles in his works. Distinctions must be made within the category of fools‚ however: clowns‚ who turn farce into a precise science (think “pie in the face); dunces‚ who turn their lack of intelligence into a medium for humor; and finally the princes
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The throbbing bass of the brothel’s sound show roared through Rulagh’s bones along with the pulsing lights above the mating rooms. Acrid stim-smoke saturated the air and made his eyes water. A holographic display of a high caste whore filled the ceiling. The crest on her scalp had darkened to a shade of red-black that matched the distended nipples of her scaled breasts. Rulagh flicked his tongue out. The display’s pheromonal musk tasted stale. Most of the rooms at the first level had discreet ’In
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The Fool – from text to screen. The concept of a fool in Shakespearean plays is nearly as popular as the very figure of a fool used to be in Middle Ages at royal courts and some private households of aristocrats. The characters that could be described as fools appear in Shakespeare’s Twelfth Night (Feste) and As You Like It (Touchstone). And there is of course the most famous of the fools‚ named simply The Fool in Shakespeare’s King Lear – the one with reference to whom this essay is created.
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