A Formal Analysis of Art Darlene Traci Kepner ART/101 February 17‚ 2013 Karen Witt A Formal Analysis of Art The visual literacy of line usage by both artists is extremely different from one another. Van Gogh ’s "The Starry Night" Sayre‚ H. M‚ (2010) (Fig.73) and LeWitt ’s "Wall Drawing No. 681” Sayre‚ H. M‚ (2010) (Fig.77) portray subject matter of different compositions. However‚ both depictions of art‚ also express‚ different qualities‚ styles‚ and eras. Van Gogh is from the eighteenth century
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Formal Art Analysis Hailey Niemi The Starry Night that was done in 1889 is an oil on canvas painting. This is a very famous work of art and a very complex‚ beautiful piece. In terms of lines this painting is quite uninhibited. The painter was thinking outside the box so to speak. The lines used in The Starry Night are all over and all around in swirls and other patterns. I think the art portrays that the artist views the world as a very whimsical place with endless possibilities. This might
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Formal Speech Analysis In the past‚ I have participated in a lot of classes and training dealing with many different topics‚ but unfortunately‚ public speaking and/or communications was not one of them. In fact‚ the last class that I took even relatively close to this one was while I was in the military. In some sense‚ I guess that this class could be thought of as a good experience‚ because now I can learn at a college level and be more at ease with getting up in front of a group of people and
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Henri Matisse Henri Matisse (3 November 1954-31 December 1869) "What I dream of is an art of balance‚ of purity and serenity‚ devoid of troubling or depressing subject-matter‚ an art which could be for every mental worker‚ for the businessman as well as the man of letters‚ for example‚ a soothing‚ calming influence on the mind‚ something like a good armchair which provides relaxation from physical fatigue." – Henri Matisse-
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Pooja Shrestha ART 201: Art and Life 03/16/2012 Formal Analysis: Forest Monarch- Reynold Weidenaar Forest Monarch‚ a watercolor painting by Reynold Weidenaar is one of the pieces of art hanging on the walls of the Art and Music Library in the second floor of Funderburg library. The painting consists of a massive tree as a backdrop and has a man facing the tree‚ turning his back towards the audience. The tree in the painting may be an oak tree. Generally‚ an oak tree is considered to be the king
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agony. As victims of hard times‚ these “wounded healers” as they are often called‚ can use their own experiences not only to help and guide others in turmoil‚ they can also provide a path of escape for such people. In The Wounded Healer‚ author Henri Nouwen explores this topic into great depth as he contemplates the reason behind suffering. With much pondering‚ he concludes that man is allowed to undergo hardships so that he‚ in turn‚ can be a healer for others. One cannot hope to understand the
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For readers who have ever had their heart broken or dreams crushed‚ “Araby” by James Joyce may be a flashback to a reality long forgotten. The young boy transforms before the eyes of the reader before one can actually grasp the fact of what is happening. He goes from a dark mindset‚ to an optimistic one with the chance of love in his mind‚ only to end up back in a pessimistic state of mind. In “Araby” the narrator takes a journey down a dark childhood path that ends in a sudden realization that life
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------------------------------------------------- Antoine Henri Becquerel (15 December 1852 – 25 August 1908) was a French physicist‚ Nobel laureate‚ and the discoverer of radioactivity along with Marie Skłodowska-Curie and Pierre Curie‚[1] for which all three won the 1903 Nobel Prize in Physics. Biography [edit]Early life Becquerel was born in Paris into a family which produced four generations of scientists: Becquerel ’s grandfather (Antoine César Becquerel)‚ father (Alexandre-Edmond Becquerel)
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Michelangelo’s Sogno is a black chalk drawing on unprepared‚ cream-colored paper. Slightly larger than 8 x 12 inches‚ the drawing requires close-hand examination. At the center of the Sogno‚ an idealized male nude perches precariously on an open box filled with masks. His upper torso twists to his left as he leans on a sphere for support. He turns his head in the opposite direction‚ looking upward and over his right shoulder to watch a winged creature descent from above. Considerably smaller
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Henri Fayol (* 1841 in Konstantinopel- Istanbul; † 1925 in Paris) was a French management theorist whose theories concerning scientific organisation of labour were widely influential in the beginning of 20th century. Often associated with Frederick Winslow Taylor‚ his theories deal with the organisation of production in the context of a competitive enterprise that has to control its production costs. Fayol was the first to identify the four functions of management: planning‚ organizing
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