The Influences behind A Sunday Afternoon on the Island of La Grande Jatte The story of A Sunday Afternoon on the Island of La Grande Jatte begins in the 1880s as the world was experiencing an era of change. France had begun to experience the damage of the Long Recession‚ monumental inventions were created‚ and new forms of art were on the rise. These events included the invention of the bicycle‚ the start of Coca Cola‚ Jewish refugees flooding in from Russia‚ operas such as Manon gained popularity
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In Linda Nochlin’s “Seurat’s Grande Jatte: An Anti-Utopian Allegory” she advocates the anti-utopian message presented by Seurat’s A Sunday Afternoon on the Island of La Grande Jatte. The composition of her argument is threefold. By contextualizing Seurat’s vision of society among other utopian works by impressionists and traditionalists‚ Nochlin emphasizes the intentionally critical nature of La Grande Jatte. After establishing the work to be critical in nature‚ the argument is narrowed using critiques
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Sunday Afternoon on the Island of La Grande Jatte was painted by a French Impressionist painter called George-Pierre Seurat. He is known for his innovative painting techniques known as chromoluminarism and pointillism. The painting Sunday Afternoon on the Island of La Grande Jatte altered the direction of modern art by initiating Neo impressionism‚ and is one of the icons in the 19th century. George-Pierre Seurat painted Sunday Afternoon on the Island of La Grande Jatte through the summer of 1884-1886
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Why is the painting unique? George Seurat’s painting "A Sunday Afternoon on the Island of la Grande Jatte" is a widely known painting in the era of impressionism with the technique known as pointilism. This painting is so unique because it is a painting that has taken so much time and careful thought to make. It was a long process for George Seurat to make this painting‚ two years. A painting make by moving your brush around is an easy painting‚ but George Seurat had to use dots to create his masterpiece
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When it appeared in the eighth (and final) Impressionist exhibit in May of 1886‚ Georges Seurat’s A Sunday Afternoon on the Grande Jatte—1884 (FIG. 1) left an indelible impression on the critics‚ artists‚ and public of the time. Here was a painting that was a collage of contradictions—impressionist paintings were all about modernity‚ plein air painting‚ spontaneity‚ and improvisation. The Grande Jatte was a painting of modern life‚ but it was hardly impressionistic. There was nothing spontaneous about
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In Seurat’s painting‚ A Sunday on La Grande Jatte‚ he does a fantastic job depicting people resting and relaxing in a park on an island. The families within the painting seem to be enjoying the scenery around them. One of the key aspects of the painting besides the color contrast is the river that is located on the island. The river is also known as the Seine River. From observing the painting by every detail visible‚ I can see that the painting was created during the older times because of the choice
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A Sunday on La Grande Jatte‚ 1884 Georges Seurat A Sunday on La Grande Jatte medium’s is an oil on canvas artwork painted by Georges Seurat for two years. His technique is basically painterly. It depicts realistic experiences of people at that time while having a relaxing Sunday in a suburban park in an island in Seine River. For some‚ it is as if Seurat wanted the ‘characters’ in his work to parade in nature. The elements that are highlighted in the painting are texture‚ value‚ and color. Georges
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“A Sunday on La Grande Jatte” had a style that‚ once I took a closer look‚ surprised me somewhat. The painting seems to be made with many dots. It’s very impressive that the artist took the time and had the talent to use dots in such a way. Of course‚ it may have been the type of brush he used‚ or it is a painting technique that I do not yet know‚ but it certainly adds to the feel of the painting. I was also curious about the border of the painting. Rather than not have a border or having a simple
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Georges Seurat’s painting of “A Sunday on La Grande Jatte -1884’” depicts tranquilize people located on the island of La Grande Jatte. Looking closer into the background there are soldiers and regular looking people in the back with one typical guy with higher class people in the foreground. It like a unanimity between social class to enjoy a sunny day on a island. Looking closely into the painting there are tiny strokes of lines creating leaves on the ground and on the tree‚ but also everywhere
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Influenced by the Impressionists’ experimentation with color‚ Post-Impressionist painter Georges Seurat worked with innovative techniques. On a huge canvas‚ the artist portrayed city residents congregated at a park on La Grande Jatte‚ (literally translates as "the big platter")‚ an island in the River Seine. It took Seurat more than two years to complete this piece. This complex masterpiece of Pointillism began in 1884 with a series of almost 60 sketches Seurat made during his many visits to the Paris
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