“A Love Song for Bobby Long” written by Grayson Capps and “The Love Song of J. Alfred Prufrock” written by TS Eliot remind the world of men who struggle with the demons of life. The little voices in your head saying “I don’t think you can do that.” These voices cause you to doubt yourself and your talents. They take the life out of you‚ and cause you to wonder if you even have a purpose here on earth. Now let’s take a deeper look into these poems and closely analyze their similarities and differences
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“Can the Subaltern Speak” Response Spivak’s article‚ while difficult to get through‚ brings up many interesting points. She ultimately comes to the conclusion that the subaltern cannot speak. Yet in coming to that conclusion she explains reasons why they cannot. Early into the essay‚ Spivak asks the question‚ “Are those who act and struggle mute‚ as opposed to those who act and speak?” (70). She asks this question in response to Deleuze’s pronouncement that‚ “‘[a] theory is like a box of tools…
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doesn’t feel right. The song is an observation of those things and trying to find some redemption in it. It’s so overwhelming to be completely surrounded by that feeling all the time; I had to find some redemption and to take back the definition of revolution.” – John Butler. (Change slide) Good morning/afternoon‚ students and teacher‚ Through songs‚ emotions and issues within society are expressed through the lyricists’ perspective. Through music and poetic devices‚ songs can appeal to an audience
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Throughout the song “The Love Club” by Lorde‚ she manages to expresses a bitter and satirical tone using DIDLES. The song depicts her joining a clique of sorts‚ in order to achieve freedom. Ironically‚ by joining this group‚ the author ends up losing her freedom and severing ties with the people she loves. The writer selects words such as “choking” and “wicked” to emphasize the the regret and contempt associated with her experience. Such words invoke feelings of empathy in the readers‚ contributing
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poem‚ “The Love Song of J. Alfred Prufrock” by T.S. Elliot‚ is about a man who has lost his love. What could a poem about a man losing his chance at love and mermaids have in common? These two things may seem to be entirely unconnected‚ except for the author’s brief mention of mermaids at the end. Mermaids may be the most important word in the entire poem. Mermaids are mythical creature that come with a variety of stories and types. One story is that of a mermaid that will sing a song to sailors
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In the poem “Song” by John Donne‚ the poet presents the listener with a closed form consisting of three stanzas. Each stanza is amplified with one sestet that exhibits a rhyme scheme‚ ABABCC‚ and a concluding rhyming triplet. Donne uses this form to create a light tone‚ a song of romance. However‚ the lyrical approach is undercut by the disenchantment that the speaker encounters with a woman. The disenchantment ignites the speaker to view all women as inconsistent and disloyal‚ despite the poet’s
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“The Love Song of J. Alfred Prufrock” T.S. Eliot’s “The Love Song of J. Alfred Prufrock”‚ is a dramatic monologue in which the speaker recalls his insecurities in dealing with the opposite sex and the choices he made in general in his life. He wonders if he should have done things differently. Prufrock starts in a city-scape “Like a patient etherised upon a table;/ Let us go‚ through certain half-deserted streets” and ends on a beach “I shall wear white flannel trousers‚ and walk upon the beach
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are many solutions‚ none is more empowering and influential than song. We are a band and this is what we are good at. We can give our contribution to the world even if it is as small as saving a tear from a child that shouldn’t be shed. “Runaway Love” by Ludacris has managed to get that message out. It tells the different lives of 3 troubled adolescent girls; Lisa‚ Nicole and Erica‚ each enduring their own way of abuse. This song engages everyone‚ it supports the abused‚ it tells them that they
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Second Sex says‚ “…she is simply what men decree;… she is the incidental‚ the inessential as opposed to the essential.” (Beauvoir 16) In the Indian context‚ women as gendered subalterns have a very limited role to play within the society. They are mere objects of desire to men. Gayatri Chakravorty Spivak in her essay “Can the Subaltern Speak?”‚ originally published in Cary Nelson and Lawrence Grossberg’s Marxism and the Interpretation of Culture (1988) says‚ “As object of colonialist historiography and
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The poem‚ “Love Song for Lucinda” by Langston Hughes is about love and what it takes to be in love. Hughes uses a lot of metaphors and only three stanzas to talk about love in the poem. In the first stanza his poem states‚ “And the spell of its enchantment / Will never let you be” (5-6). Hughes puts this in his poem because love is supposed to always be there‚ and isn’t supposed to die. You are supposed to fall so in love that you are almost under a spell‚ and you can’t see which way is up. In the
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