"Foucault panopticonism" Essays and Research Papers

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    sixteenth and seventeenth century is known for its cosmological discoveries and its introduction to a new way of investigating nature. This revolution challenged the medieval perspective and influenced great minds such as Galileo‚ Francis Bacon‚ and Foucault. Thinkers of the Scientific Revolution rejected utter reliance on authorities‚ such as the Church‚ and strived for knowledge based on reasoning and direct observation. This sort of idea was so groundbreaking since it went against the widely accepted

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    for London (TFL) is an entity of making and repairing social order. I will also examine the question‚ ‘who gets to decide what is order and what is disorder?’. This will be compared and contrasted through the theories of Erving Goffman and Micheal Foucault who are two social scientists attempting to give an explanation to how order is created in society and where it originated from. My first question I like to examine is who gets to decide what order is?. According to Erving Goffman (1959) order

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    com/2010/04/26/power-from-the-traditional-modernist-and-postmodernist-perspectives/ (Foxconn Technology‚ Sept 11‚ 2012) http://topics.nytimes.com/top/news/business/companies/foxconn_technology/index.html (Foucault‚ M. (1995) Discipline & Punish: The Birth of the Prison. Vintage) http://www.scribd.com/doc/26150474/Foucault-M-Discipline-Punish-The-Birth-of-the-Prison-Tr-Sheridan-NY-Vintage-1977-1995 (In Bryman‚ Alan and Bell‚ Emma.Business research methods‚ (p. 3-30).Oxford ; New York : Oxford University Press

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    which has recently undergone change in authority where the new commandant doesn’t share the same values as the old commandant when it comes to the judicial system of the colony. Switching from using power to surveillance‚ “Panopticism” by Michel Foucault‚ who takes the classic design of Jeremy Bentham’s panopticon‚ and exploits all of its useful characteristics ranging from schools and hospitals‚ to factories and prisons. In a modern look at Betntham’s panopticon‚ “Visible Man” by Peter Singer looks

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    Nevertheless the end of King Lear frustrates the stoic followers. Is it an injustice end that reveals the cruelty and absolute nonsense of the world; or a tragedy of human not regulating their behavior and affection? Characters represent the battle of these different perspectives. For Kent‚ Lear must follow stoic principles to become calm and wise to reach the truth‚ that is‚ to live in the world peacefully; Lear‚ on the other hand‚ follows his instinct to the extent of madness. He understands the

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    has made way for new ways of thinking and a new theoretical base when criticising art‚ literature‚ sexuality and history. John Fowles’ 1969 historical bricolage‚ The French Lieutenant’s Woman‚ utilises the ideas of postmodern theorists such as Foucault‚ Barthes and Sartre amongst others to form a postmodern double-coded discourse which examines values inherent in the Victorian era from a twentieth century context. The novel’s use of intertextuality‚ metafiction and its irreverent attitude can be

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    was initially presumed to be the heir apparent to existentialism. However‚ by the late 1960s‚ many of structuralism’s basic tenets came under attack from a new wave of predominantly French intellectuals such as the philosopher and historian Michel Foucault‚ the philosopher and social commentatorJacques Derrida‚ the Marxist philosopher Louis Althusser‚ and the literary critic Roland Barthes.[2] Though elements of their work necessarily relate to

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    Improper Relations with Pauline Letters‚” In Studying Paul’s Letters: Contemporary Perspectives and Methods‚ edited by Joseph Marchal‚ 210-224. Minneapolis: Fortress Press‚ 2012. Smith‚ James. Who’s Afraid of Postmodernism? Taking Lyotard‚ Derrida‚ Foucault to Church. Grand Rapids: Baker Academic‚ 2006. Unknown‚ Author. “Introduction to Theory and Criticism‚” Except from The Norton Anthology of Theory and Criticism‚ edited by Vincent Leitch‚ William Cain‚ Laurie Finke‚ Barbara Johnson‚ John McGowan

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    Cited: Farca‚ Paula Anca. »Foucault informs Kate Chopin’s short fiction. » Academic Exchange Quarterly. 11.1 (Spring 2007): 120(4). (Accessed October 5‚ 2007) Foucault‚ Michel. The History of Sexuality. Vol 1‚ trad. Robert Hurley. New York: Vintage‚ 1980. Toth‚ Emily. Introduction. A Vocation and a Voice: Stories by Kate Chopin. Ed. Emily. Ibid

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    I found her intended project to be compelling‚ even provocative in both its theoretical and political reach‚ as it consciously seeks to transcend the politically contentious dichotomy that has plagued the two epistemologies. Huffer calls upon on Foucault and Irigary as proxies for queer and feminist theory‚ respectively‚ to carry on a

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