religious to secular music. Two important composers through this musical change were Machaut and De Vitry. Philippe De Vitry‚ In Arborist demonstrates a polyphonic style that is similar to Leonins Viderunt Omnes. This new style of music was called a motet. A motet is a polyphonic vocal composition. In Arborist takes a new approach of adding
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Good afternoon‚ my name Thomas Tallis. I am considered as one of England’s greatest composers of medieval church music. Today I shall be giving a small overview of my past living life and musical career. I was born around 1505‚ in Kent‚ maybe. Your historians deem me as a shadowy character‚ and so they don’t know for sure. Frankly‚ I don’t remember either‚ but that’s besides the point. Anyways‚ moving on‚ I was a choirboy of the Chapel Royal when I was young‚ and that’s where I gained most of
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One of Giovanni Pierluigi da Palestrina’s most famous pieces from the Renaissance was Sicut Cervus‚ a motet that bases itself off the first two phrases from Psalm 42 (41). The piece was scored for four voices‚ presumably for a soprano‚ alto‚ base‚ and tenor‚ and all four voices seemed to act almost independent of each other. Obviously the existence of various voices means the piece has a polyphonic texture‚ but interestingly it is actually imitative polyphony‚ meaning that all voices have are reading
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the chants and organums that were religious in nature‚ the dance was celebratory music and featured rudimentary instruments to help create a beat that people can dance to. Josquin: Ave Maria … virgo serena This song is a motet from the Renaissance. A motet is a chant with extra melodies. There are many lines and many voices performing simultaneously. The music is vocal only with no instrumentation. Much of the song is in “the
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Renaissance period from the Medieval period? 29. What’s the difference between a Renaissance Mass and Renaissance Motet? 30. Classical period dates; 31. Characteristics of music and other art forms of the Romantic period; with what characteristics were Romantic composers most concerned ? 32. A Contemporary alternative to key-centered music; 33. Features of a madrigal vs. a motet; 34.
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Giovanni Palestrina‚ an Italian composer of the Renaissance‚ was born in February 3rd 1525/26 in Palestrina and died in February 2nd 1594 in Rome. As a child he moved Rome. By the age of 12 he was one of the choirboys at the basilica of Sta. Maria Maggiore‚ where he studied music between 1537 and 1539. In 1544‚ when he was 19 years old‚ he went back to his native town where he was made the organist of the cathedral‚ St. Agapito. Three years(1547) later he got married and had three boys. In 1551
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•For a long time the western music was monophonic. Monks from monastery choirs created a new form of music. They added a second line to Gregorian chants. This made the music polyphonic. Because it had more than one line. Medieval music that has two or more melodic lines is organum. •The estampie is from the thirteenth century. It is one of the earliest forms of music. It is played in triple meter. The estampie beat is strong and played very swiftly. It has a very upbeat sound and sounds very cheery
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popular at the time were focused on giving the public what they needed and desired. Painters‚ painted the things that were of the time‚ and artist sang about things that were going on at the time. Sacred music was split into different genres‚ the motet and the mass Composer’s during the Renaissance time began to change traditional plainchant by adding extra notes and developing paraphrases. My understanding to that‚ is that composer took a ridged plainchant that you can
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the early renaissance composers. He wrote music in almost every music form at the time‚ including chants‚ motets‚ chorales‚ and masses. His music influenced many of the composers that came after him. 5. Who was William Byrd? What contributions did he make to Renaissance music? A composer who created consort music. He composed over 470 pieces of music in a range of music forms‚ including motets and church songs. Considered one of the first geniuses on the keyboard. Many of his piano compositions were
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Essays on the Origins of Western Music by David Whitwell Essay Nr. 138: Music of the Renaissance Banquet From a musical perspective‚ the most important music heard at Renaissance banquets was that heard when the banquet was concluded. The brief concerts‚ that is to say the moment when music was actually listened to by contemplative listeners‚ which were always specified as taking place “after the tables were cleared‚” were really an important step toward today’s
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